Tag Archives: large

New Canon ‘Instant Rebate’ – Lenses and Speedlites

11/28/11 – New Canon ‘Instant Rebate’ Prices at B&H

(Note: Check the “Deals” page on this blog for more on this promotion, news about deals from ThinkTank Photo, and other periodic updates.)

UPDATE: Canon extended the ‘instant rebate’ promotion into early February. If you are going to purchase from B&H, the last full day to do so is FRIDAY, FEBRUARY 4, 2012!

The Canon ‘Instant Rebate’ promotion at site sponsor B&H features a lot of interesting gear at even lower prices than were available during a late 2011 promotion. In fact, the selection of lenses and electronic flashes and the size of the discounts seem unusually large.

Click the link to You may purchase directly through the following links to B&H (and help support this blog in the process) or click this link to see the full list of eligible equipment and/or purchase from B&H.  It runs from November 27 through FEBRUARY 4. (Note that B&H has very limited ordering hours on the final day of the promotion.)

Lenses (Note: This is an exceptional list of lenses and the discounts are larger than usual)

Canon EF-S 10-22mm f/3.5-4.5 USM Autofocus Lens (save $90)
Canon EF 16-35mm f/2.8L II USM Autofocus Lens (save $170)
Canon EF 17-40mm f/4L USM Lens (save $60)

Canon Super Wide Angle EF 14mm f/2.8L II USM Autofocus Lens (save $240)
Canon Super Wide Angle EF 20mm f/2.8 USM Autofocus Lens (save $60)
Canon EF 24mm f/1.4L II USM Autofocus Lens (save $180)
Canon EF 35mm f/1.4L USM Wide-Angle Autofocus Lens (save $150)

Canon EF-S 15-85mm f/3.5-5.6 IS USM Lens (save $100)
Canon EF-S 17-55mm f/2.8 IS USM Zoom Lens (save $120)
Canon Zoom Wide Angle-Telephoto EF 24-70mm f/2.8L USM Autofocus Lens (save $120)

Canon Normal EF 50mm f/1.2L USM Autofocus Lens USM (save $180)
Canon 50mm f/1.4 USM Autofocus Lens (save $40)
Canon Normal EF 50mm f/1.8 II Autofocus Lens (save $15)
Canon EF 85mm f/1.2L II USM Autofocus Lens (save $230)
Canon 85mm f/1.8 EF USM Autofocus Lens (save $40)
Canon Telephoto EF 100mm f/2.0 USM Autofocus Lens (save $50)

Canon 50mm f/2.5 Compact Macro Autofocus Lens (save $30)
Canon EF-S 60mm f/2.8 Macro USM Lens (save $60)
Canon Macro Photo MP-E 65mm f/2.8 1-5x Manual Focus Lens (save $110)
Canon EF 100mm f/2.8L Macro IS USM Lens (save $110)
Canon 100mm f/2.8 USM Macro Autofocus Lens (save $60)
Canon Telephoto EF 180mm f/3.5L Macro USM Autofocus Lens (save $170)

Canon 28-300mm f/3.5-5.6L IS USM Autofocus Lens (save $270)
Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens (save $300)
Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens (save $150)
Canon EF 70-200mm f/4L IS USM Lens (save $150)
Canon EF 70-200mm f/4L USM Lens (save $75)
Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens (save $140)
Canon EF 70-300mm f/4-5.6L IS USM Telephoto Lens (save $150)
Canon 100-400mm f/4.5-5.6L IS USM Autofocus Lens (save $170)

Canon Telephoto EF 135mm f/2.0L USM Autofocus Lens (save $110)
Canon Telephoto EF 300mm f/4.0L IS Image Stabilizer USM Autofocus Lens (save $140)

Canon 400mm f/5.6L USM Autofocus Lens (save $130)

Canon Wide Tilt/Shift TS-E 17mm f/4L Manual Focus Lens (save $260)
Canon TS-E 24mm f/3.5L II Tilt-Shift Manual Focus Lens (save $230)
Canon TS-E 45mm f/2.8 Normal Tilt Shift Manual Focus Lens (save $150)
Canon Telephoto Tilt Shift TS-E 90mm f/2.8 Manual Focus Lens (save $150)

Speedlites

Canon Speedlite 580EX II (save $50)
Canon 430EX II Speedlite (save $30)
Canon Speedlite 320EX (save $25)
Canon Speedlite 270EX II (save $15)
Canon MT-24EX Macro Twin Lite Ringlite Flash (save $60)
Canon MR-14EX TTL Macro Ring Lite Flash (save $45)

Trees and Granite Bowl

Trees and Granite Bowl
Trees and Granite Bowl

Trees and Granite Bowl. Yosemite National Park, California. September 15, 20110. © Copyright 2011 G Dan Mitchell – all rights reserved.

A variety of trees grow on a shallow layer of sandy soil in the middle of a large granite bowl, Yosemite National Park.

While the small, stunted and contorted trees that grow in impossibly small and barren cracks in the granite are amazing examples of how life can thrive with minimal support and against all odds, in some ways these groves of larger trees are at least as surprising. This group includes some very large and old specimens, yet they are growing in what cannot be much more than a foot or so of sandy soil washed down the surface of this glaciated granite slab – which elsewhere within its area supports nothing this extensive. In what must be the lowest part of the descending surface of the bowl, where perhaps more moisture is found and more sand and gravel transported, this “soil” – largely sand mixed with rocks and boulders – has collected and somehow these trees have managed to put down roots that allow them to grow and fill out a small grove.

I made the photograph in the very late afternoon as the sun was heading toward real evening light. The light is coming in at a low angle from the left and is just beginning to take on the warm coloration of evening. Because it was partly cloudy, I waited until the shadow from a thin cloud muted the light on the granite surface of the bowl in the background.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Boulders

Aspen Grove, Boulders
Aspen Grove, Boulders

Aspen Grove, Boulders. Bishop Creek Area, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A grove of autumn aspen trees among large boulders, Bishop Creek, California.

There is something special and perhaps hard to define about the light inside an aspen grove as the leaves change color in the autumn. It is a visually complex place in many ways – various colorful leaves are overhead, more leaves are dropping constantly to the ground, the ground itself is littered with layers of leaves ranging from brand now and colorful to old and black, other materials such as rocks and grasses and brush may grow between the trees, and the interlocking branches of the closely spaced trees can make progress difficult to nearly impossible. And every grove seems to have its own unique personality. Some will be full of tall and straight trees, and may allow more light in. Others may consist of trees barely taller than a person, and thin-truck trees may be packed closely together. Some have been affected by difficult soil or heavy snow and are full of bent and twisted trees.

This grove is almost within a small campground in the south fork of Bishop Creek. I have shot in this area in the past since a nearby section of the grove often seems to suddenly drop masses of colorful leaves very quickly, so it can be a good place to shoot leaves on the ground. This time, though, I wandered in a different direction and ended up in this area where smallish and seemingly stunted trees grew among large rocks and boulders. The challenge was to try to find a composition in this very busy scene. The first challenge is finding a spot that is open enough to show an expanse of the grove, followed by then moving the camera – sometimes by fractions on an inch – to try to come up with some reasonable alignment of trees and boulders, all the while trying to avoid letting the overly bright sky end up in the frame.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)