Tag Archives: late

Granite Ridge and Trees, Afternoon Light

Granite Ridge and Trees, Afternoon Light
Granite Ridge and Trees, Afternoon Light

Granite Ridge and Trees, Afternoon Light. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Afternoon light back-lights a glaciated granite ridge partially covered with trees, Yosemite National Park.

Late in the afternoon – almost more like early evening, actually, the atmosphere at this spot along the Tuolumne River valley in the Yosemite back-country was “complex” – both challenging to shoot and full of interesting and varied potential. You might be able to see in the upper right portion of the image that a good part of the sky was obscured by a thin gray layer of high clouds, and by looking at the very faint a low contrast view of the more distant mountains at the upper left it is clear that the atmosphere was quite hazy, especially when back-lit. Yet, there is sunlight slanting across the expanse of granite and trees on the foreground ridge, and this light picks off some of these trees.

This was the kind of lighting that requires some patience. And fortunately I had gotten myself to a beautiful spot on top of a granite “whaleback” (a low and long dome-like structure) above a small side valley beyond which this ridge was arranged with the more distant ridge in the background. Most of the time the light was what I’ve heard one of my friends simply describe as “blah.” The atmosphere was a bit hazy, most of the light was obscured by the high clouds (and the haze), and even in this quite beautiful spot most of the time nothing much stood out as a photograph.

Such scenes require – and can teach – patience. It helps to find yourself alone on a granite ridge without much else to occupy your time and with no other particular task at hand. It also helps if you have learned that there is nothing at all wrong with sitting quietly in one spot for a couple of hours and simply observing. And, if you have done these things before and have observed these scenes, you know that there is a possibility that even in light and landscape that might seem a bit “blah,” there is the potential for a momentary bit of light to create something worth photographing. This was a perfect afternoon for that sort of shooting.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees, Granite, and Afternoon Haze

Trees, Granite, and Afternoon Haze
Trees, Granite, and Afternoon Haze

Trees, Granite, and Afternoon Haze. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun back-lights haze around trees growing on granite domes along the Tuolumne River, Yosemite National Park.

I’m a big fan of shooting almost straight into the sun, especially when haze is involved and even more so when backlit trees can be the subject. This photograph was made in essentially these very backlit conditions, with the direct sun just a bit above and to the side of the scene. I liked the way that the near tree’s branches had more presence in front of the haze-faded low contrast background of the nearby ridge with trees and the further ridge fading into the bright haze.

I posted a slightly different version of this scene last week – one in which I had placed the tree almost directly in the center of the frame. Although some will cite some “rule of composition” to disallow that sort of composition, I think that the rules don’t make a lot of sense if your way of applying them is to simply follow them slavishly. I consider them to be more like “observations about composition” than rules of composition. It isn’t that placing a subject in the center of the frame is wrong, it is just that doing so can have a very different effect than putting it along an edge, one-third of the way in from a corner, at the bottom or top of the frame, and so forth. It is more important to get a sense – either intuitive or analytical – of the effects might be of these different placement options. In any case, I liked the centered composition of the other version – centered compositions can have a certain kind of calm strength, and the centering perhaps focused a bit more attention on the tree and a bit less on the background.

At the same time, I like this more “tradition” composition that places the tree a bit off-center to the right side of the frame. In a way, this opens up the frame a bit and I think it gives the middle ridge and its trees a bit more presence. I think it also allows the viewer to see the subtle light on those middle distance trees a bit better. And speaking of that part of the scene… I made a mistake at the time of exposure. With the sun almost in the field of view of the lens, I had to shield the front of the lens from the sun – but in this image I apparently missed a bit since I found a fairly obvious reddish flare in part of the frame. I’m glad to say that by a combination of color balance correction, some control over saturation, and a bit of work with a curve…. I think that I have managed to make the flare go away!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra

From the Panamints to the Sierra
From the Panamints to the Sierra

From the Panamints to the Sierra. Death Valley National Park, California. April 1, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A landscape of high desert ridges and mountain ranges extends from Death Valley’s Panamint Range to the peaks of the southern Sierra Nevada in late afternoon light.

This lookout, high in the Panamint Range at the end of a gravel road, is one of my favorite places to be at the end of the day in Death Valley National Park. Perhaps because it is a bit less well-known, because it has a name that is harder to pronounce and remember than “Dantes View,” due to its location at the end of this gravel road which at one point passes along a very exposed section of the ridge, and because it is farther from some of the popular places to stay in the park the number of visitors here remains small. I frequently have the place completely to myself or perhaps share it with one or two others.

Behind the camera position is a stupendous view down into Death Valley itself, many thousands of feet below. But in the other direction, looking back towards the west, a series of rugged high desert valleys and mountain ranges extends all the way to the highest peaks of the southern Sierra Nevada range. In the morning, the front light can show the details of snow and rock on the summit of the Sierra, but in the evening the light crossing the intermediate ridges picks up late-afternoon haze and mutes the details of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Groves, Conway Summit

Aspen Groves, Conway Summit
Aspen Groves, Conway Summit

Aspen Groves, Conway Summit. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the immense aspen groves near Conway Summit, California.

As the sun dropped toward the peaks of the Sierra crest to the west of Conway Summit, beams of light occasionally broke through the partly cloudy skies and backlit these brilliantly colored aspen groves alongside highway 395. I’ve shot here enough times over the past few years to understand how the light works here – though I admit that every time I think I understand, I discover something new! For me, the ideal is to go to Conway Summit right at the peak of aspen color, or perhaps a bit earlier when a few green trees remain, and to shoot in late-afternoon light, aiming almost directly into the sun. The color of the light coming through these leaves is almost unbelievably intense and saturated – and, in fact, is a bit of a tricky thing to photograph!

There are many attractive things about Conway Summit when it comes to aspen viewing. (There are also, admittedly, a few less attractive things, such as shooting from the edge of a four-lane highway!) The stands of aspens are extensive here, covering many acres. Because of the slightly elevated viewpoint, the observer can look down into and across the trees as they follow the slope gently rising toward the Sierra. There are actually a large number of separate groves that stand mostly in lines stretching from left to right, and each of them is often in a different stage of color development at this point in the season, with the result being that trees of almost every shade from green to brilliant red can be seen at once.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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