Tag Archives: light

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Early Evening

Sandstone Towers, Early Evening
“Sandstone Towers, Early Evening” — Sandstone towers and desert terrain, Arches National Park

I made this photograph within minutes of entering Arches National Park for the very first time. I have written before that this was my very first time photographing in Utah – yes, embarrassing, but true! The downside of this is that I now really wish that I had taken the time to travel here much earlier. But the upside is that I had the rare experience of encountering a completely new and, for me, unanticipated landscape for the first time.

Before departing for Utah – where we visited a veritable smorgasbord of locations – I had done almost no research beyond figuring out where the nearest lodging was. In fact, even once we were in the state I was still figuring out how to get from one location to another. There are perhaps several reasons for this approach, but one was that I do not necessarily want to go to a new place with overly strong ideas about what I should photograph nor about how I should photograph it. I prefer to get there, look around, try to get the “feeling” of the place, and begin making the photographs that I see. We arrived in Moab late in the day and checked into a motel. There was still some light left so we figured we should go somewhere… and Arches is very close! So the decision was made, and off we went. By the time we reached the Park Avenue area not far from the entrance I was stunned by what I was seeking. (It helped that we arrived at the beginning of “golden hour,” but I digress…) There were huge sandstone walls, thin fins of rock, tall towers, some with boulders perched on top – this seemed about as close to an “impossible landscape” as any I have seen. Frankly, it was overwhelming. We passed Park Avenue and drove ahead a bit to where the view opened up to this astonishing panorama, at which point we pulled out and I began making photographs, including this one that includes towers and fins backlit by the late afternoon light under thin clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Room in Abandoned Building, The Embarcadero

Room in Abandoned Building, The Embarcadero - The interior of an abandoned waterfront building on the Embarcadero, San Francisco.
The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

Room in Abandoned Building, The Embarcadero. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

This interior is a room in a building located on one of the piers along the Embarcadero on San Francisco’s waterfront. This one is located not far from the South Beach Harbor. It seems to be one of those old structures that was recently adapted for use by companies that had the “look” of being part of the tech boom in the city – perhaps design firms or similar. I have walked past it many times, occasionally photographing the exterior windows and other features, but otherwise not noticing it all that much.

On my last walk past this spot things had changed, to say the least. There were signs along entrances that declared that the pier had been closed, ostensibly for safety reasons, and that no trespassing was allowed. No one seemed to be inside the building, and most of the businesses appeared to have left or been abandoned. Though one set of windows I could see stacks of boxes labelled with intended mail recipients, but that mail wasn’t going anywhere! Near the north end of the building I could see into this sun-filled room, with its tall windows facing the bay and the morning sun. Almost everything was removed from the building, giving it almost the same abandoned feeling that I often experience when shooting at Mare Island. I managed to push my camera up against a window, block reflections from the street behind me with my hand, and make a few perhaps final photographs of this space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Tower and Cliff, Morning

Sandstone Tower and Cliff, Morning - A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

Sandstone Tower and Cliff, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.