Tag Archives: lines

Towers and Sky

Towers and Sky - Two downtown San Francisco buildings and a patch of clear sky.
Two downtown San Francisco buildings and a patch of clear sky.

Towers and Sky. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two downtown San Francisco buildings and a patch of clear sky.

Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)

When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!

For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

One Front Street, San Francisco

IOne Front Street, San Francisco - maginary (urban) landscape based on the facade of the One Front Street building, San Francisco
Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco

One Front Street, San Francisco. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco.

This is another in a short series of photographs I did earlier this month in which I focused on shooting very close to the base of some downtown San Francisco buildings, aiming the camera nearly straight up in order to see their shapes more abstractly, and then working fairly freely in post to modify the images in ways that I felt were interesting. This one, and some of the others, are subject to enough post-processing that they probably fit into the category that I describes as “imaginary landscapes.)

I imagine that architects who create such things understand these buildings in ways far different from this in which the rest of us see them. A few things, likely completely obvious to the building designers, occurred to me. One, obvious now that I see it, is that the visual character of the buildings themselves is formed as much by what they reflect of their surroundings as it is by their own shape, texture, and material. Most of what constitutes this photograph, for example, is not the building itself (which is largely defined by the narrow non-reflecting portions) but by what in the surrounding environment is reflected on its surface and how those reflections are shaped and modified by the reflecting surface of the building. In this case, the building reflects itself in the right angles such as the one in the center of this shot, along with the sky, and sometimes the surrounding buildings. (Though the latter is removed when you aim the camera up so sharply.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Windows, Ramp, and Asphalt

Windows, Ramp, and Asphalt - The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington
The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington. The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington

Windows, Ramp, and Asphalt. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington.

This is the third in the short series of urban geometry photographs from my early May visit to Seattle, on which I had an hour (only an hour!) to photograph in the Fremont District with a group on a Seattle Photo Walk. After starting in “downtown” Fremont, meeting up at the Lenin statue, wandering over beneath the Aurora Bridge, and walking back along the waterfront, I climbed the stairs to another bridge that took me back toward my starting point.

This bridge turned out to be an interesting subject and vantage point. I made a few photographs of the bridge itself, mostly focusing on details, but for the most part those did not end up being images that I’ll share. However, once I got up on the bridge and started to walk across it, the vantage point it provide across the tops of buildings and down into areas below was interesting. The subject of this photograph is probably some of the most banal looking office space around, especially since I narrowed the composition down to simply showing a wall, some windows, a bit of concrete, the shadow of the bridge on which I was standing, and a painted out section of an asphalt parking area. It is what it is, and you get to figure out what that might be! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Man on Escalator

Man on Escalator
Man on Escalator

Man on Escalator. San Francisco, California. August 29, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

A man rides an ascending escalator in San Francisco, California.

There is a lot I could write about this photograph, but I think I’ll keep it short and simply describe. I made the photograph in 2007 while on one of my walks around San Francisco – walks that usually start at the CalTrain station and then head off in a variety of directions, almost all of which provide opportunities to photograph the urban “landscape and wildlife.”

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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