Tag Archives: lisbon

Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Paint Line

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Paint Line
“Paint Line” — The boundary between two different approaches to painting one building, Lisbon.

I spotted this little architectural oddity somewhere near the St. George Castle in Lisbon, high up in the hills. This is a single wall – it is all the same building. I can only assume that the building is divided into two or more residences and that those who live there have very different ideas about paint! Both are pretty striking. Purple isn’t quite a typical building color, and the worn, layered, and textured quality of the right side is about as different as I can imagine.

Little scenes like this are among those that I’m always looking for when traveling — interesting shapes, architecture, color, texture, and items that reflect that particular place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

A Lisbon Street

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A Lisbon Street
“A Lisbon Street” — A narrow, curving street in Alfama, lined with colorful buildings.

From my limited experience, this feels like a “typical” street of Lisbon’s Alfama district… except that the street is wider than many of the passageways. The lines suggest that it is two lanes wide — though I imagine that when a trolley goes up and down those tracks there isn’t a lot of room for anyone else!

There is a lot in this scene that attracted my attention. The street itself with its pairs of tracks and optimistic center dividing line is one. The stacked and tightly spaced buildings are another. And I love the saturated colors, from the nearly pure white to the many yellow buildings, and the bits of blue here and there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: People, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Woman in Sunshine

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Womn in Sunshine
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.

I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.

I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Alfama Street Art

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Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)