Tag Archives: massive

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Outcropping and Reflection

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Outcropping and Reflection
The reflection of a massive outcropping at the edge of an alpine lake nestled in a rocky Sierra Nevada basin.

Outcropping and Reflection. © Copyright 2013 G Dan Mitchell – all rights reserved.

The reflection of a massive outcropping at the edge of an alpine lake nestled in a rocky Sierra Nevada basin.

Back in the summer of 2013 a group of us spent a week base-camped within a five minute walk of this feature and an entire landscape filled with equivalent wonders. It was a high place (roughly 12,000′) filled with lakes and surrounded by forests of small trees and rocky slopes and peaks. We spent that week getting to know this area intimately and photographing it in all kinds of light and conditions.

I suppose that most people must have a carry in their minds a visual symbol for their special places — perhaps a giant tree, a waterfall, a coastal bluff, and so on. When it comes to the Sierra Nevada, the image that comes to mind is usually a high place much like this one, where the trees begin to thin, lakes are often rockbound, and talus slopes rise to alpine ridges and peaks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper, Massive Sandstone Cliffs

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Juniper, Massive Sandstone Cliffs
Massive sandstone cliffs tower above a single juniper tree among boulders

Juniper, Massive Sandstone Cliffs. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

Massive sandstone cliffs tower above a single juniper tree among boulders

In the early evening, after a full day of photography that had begun in sub-freezing temperatures atop a remote ridge in Capitol Reef National Park, we found ourselves back in the more civilized regions, in a canyon served by a well-used road where a parking lot marked the jumping off point for trails that extended beyond the road end. We photographed here for a while, and as the canyon light faded we wandered back to our vehicle and loaded up to depart.

As we exited the mouth of the canyon and the terrain opened up, soft and subtle evening light glowed on the massive cliffs above. We had thought we were finished for the day, but we quickly reconsidered, pulling over and jumping out to retrieve cameras and tripods and find places from which to photograph in the diminishing light. I was intrigued by these huge, reddish blocks of sandstone standing against the base of a cliff of lighter rock, with a single juniper tree growing amongst the boulders.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

El Capitan, Mist

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El Capitan, Mist
El Capitan, Mist

El Capitan, Mist. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter mist shrouds the immense granite face of El Capitan, Yosemite Valley

One of the major attractions of Yosemite in the winter – for me, at least – is the variety of fog, mist, clouds, and all sorts of other weather conditions and their associated possibilities of light. (Frankly, I rarely go to the Vally in the summer any more.) The diversity of conditions seems infinite, especially when combined with variations in terrain and vegetation and, of course, light as it changes throughout the day and due to weather. At one extreme, a clear winter day can almost be more clear than you can imagine, with bright, crystalline sunlight everywhere. At the other extreme, low clouds dropping rain or snow can mute the visibility of anything more than a few feet away. In between lie atmospheric haze that mutes details and reveals shadows; clouds drifting along the Valley floor, rising up its walls, or floating among the tops of cliffs; rain or snow showers seen from a distance, and much more.

El Capitan seems like a cloud magnet in the winter. Because of its size the conditions at its base can be quite different from those above, and the lower face may be clear while the summit is wreathed in clouds. Evening fog often develops and drifts across the valley, sometimes seeming to slosh back and forth like a slow motion sea, rising against El Capitan’s base. This February day saw high clouds above the entire valley, but mists were developing and clinging to every level of El Capitan and sliding across and up its face, alternately obscuring and revealing bits and pieces of the mountain. I could sit and watch this for a long time – as I did, in fact! Using a long lens I isolated a section of the prow of the monolith and then watched as the cloud show unfolded.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trees and Cloud-Filled Sky

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Cottonwood Trees and Cloud-Filled Sky - Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument
Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

Cottonwood Trees and Cloud-Filled Sky. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

This photograph was a sort of passing whimsy, in a sense. In this particular canyon that we visited in late October, our attention as mostly focused on avoiding inclusion of the sky in the frame. For the most part, the tall cliff walls were almost the default background for many photographs, so I paid little attention to the sky, for the most part, except to contrive ways to keep its distracting solid blue out of the frame, where it would distract from the colors and shapes and textures of rock and trees and water.

But when I came straight up to this tree just before we entered a narrow section of the canyon, it is was impossible ignore. It is actually a single tree that splits into two twin trunks near its base, with each trunk then sprouting a group of curving, twisting and interlocking branches high above the ground. With this subject, out in the open as it was, photographing it against the background of rock would not have worked, and it was so tall that I was essentially forced to shoot it with the camera pointing up. Fortunately, there were interesting clouds in the sky, and even more fortuitously the lines in the clouds roughly lined up with the left half of the v-shape of the two converging ridges down that canyon. Even better, this shallow “v” of the canyon rims and low peaks beyond echoed and cradled the somewhat similar shape found in the upper branches of the tree.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.