Tag Archives: meadow

Coastal Gully

Recently a meme about California seasons has been circulating on social media. The idea is that our weather always tricks us — we see early signs of spring only to be hit with a cold winter-like storm. The end of winter is an odd one in the state. It is still the rainy (and snowy in the mountains) season, but unlike many other states, here it is the green season. This process of turning green accelerates in March, and it looks more like spring than winter.

This striking, zig-zag gully crosses a bit of level land above the Pacific Ocean along the Big Sur coast near Point Sur. In this season, it is a jagged and dark gash in a remarkably green landscape. A close look reveals the history of this spot as pasture-land, evidenced by the fact that it is criss-crossed by fencing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Grasslands, Winter Morning

One of my favorite John Muir stories concerns how he first traveled to the Sierra. He Walked! From the Bay Area! From what I recall he went via Pacheco Pass (today’s state route 152) before entering the Great Central Valley. I often take this route when heading east, so I’m frequently reminded of his journey. Concerning his arrival in the Valley he wrote,” “At my feet lay the Great Central Valley of California, level and flowery, like a lake of pure sunshine, forty or fifty miles wide, five hundred miles long, one rich furred garden of yellow Compositae.”

It is difficult to imagine what he experienced at a time when the Valley was a quiet, largely unpopulated place. Today it focuses on agriculture and business and the rapidly increasing populations in towns and cities along highways 99 and 5. But occasionally, in the right places, you can sometimes find yourself where it is possible to imagine an immense, still, quiet landscape in that valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ground Squirrel

This time of year I head to the flatlands of the Central Valley, looking for migratory birds to photograph. But these are not the only critters I see. As I drive along backroads and levees and across pastures I see some distinctly less exotic animals such as ground squirrels. At one location they make their holes everywhere, including next to and under the gravel roadway. I’m used to watching them race away as a I approach. But not this one.

This squirrel had climbed up the stem of a dried plant, positioned itself in the “v” between two branches and under a loop of dried seeds. It was just… sitting there. It didn’t react to the presence of our vehicle, it didn’t appear to be feeding. Other than providing an excellent target for hungry raptors, I have no idea what it was up to.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspens, Peaks, and Evening Shadows II

Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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