Tag Archives: metal

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Extension, Contemporary Jewish Museum

July 26, 2010 G Dan Mitchell Leave a comment

The blue cube-like metal-clad “extension” section of San Francisco’s Contemporary Jewish Museum, with downtown buildings in the background.

This metal structure is the so-called “extension” section of the Jewish Contemporary Museum in downtown San Francisco, located not far from Yerba Buena Center and the Metreon. On my frequent “walking photography” trips to San Francisco I often end up wandering through this area, and this building always intrigues me. The museum is build largely around an old (over 100 years) power plant building, but this metal-clad structure “extends” the underlying building.

The structure itself seems somewhat cube-like when viewed from close by, but is actually part of a larger structure that travels across the room of the power plant building. From up close it towers and leans back over the viewer. The surrounding area is also interesting with a large open space, and old Catholic church, and very tall downtown buildings nearby.

I’ve been working on figuring out how to photograph this building for a while now. The angles are tricky, the working space is limited, the light is complicated. I’m still not convinced that I have it, so this is one of my “thinking out loud” photographs which may turn out to be practice for other photographs that I eventually make here.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Tire Shop and Palm Tree

June 18, 2010 G Dan Mitchell 2 Comments

An old and dilapidated tire shop with a single palm tree.

And now a break for something completely different from the Yosemite photographs I’ve posted for the better part of the past two weeks. Last weekend I had a couple hours of free time during the middle of the day – the toughest time for light, especially so close to the summer solstice. So I decided to go out for an urban walk and see if I could make some photographs that took on this bright and harsh light instead of trying to avoid it.

I have photographed this building before. It is an older garage that is now a tire shop. The building is, despite being painted and so forth, quite dilapidated – window and door frames don’t line up, the stucco is cracked and patched, and walls and roof lines intersect at odd angles. The paint job on the building couldn’t be more, well, boring. The building is roughly gray, with some blocky black lettering and the painted image of a tire. There is no vegetation and a plain sidewalk runs in front of it. The whole thing just seemed perfect for a harsh, midday light photograph.

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Photographs: Nature, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Bunker Walls, Mare Island

June 3, 2010 G Dan Mitchell Leave a comment

Concrete bunker walls with painted sheet metal panels in evening light – Mare Island Naval Ship Yard.

I think I’ll go ahead and classify this as a night photograph, though it is on the margin of what qualifies. If you notice from the technical data that it is a 30 second exposure, you may be more convinced. Almost every time I do night photography at the historic Mare Island Naval Ship Yard across the water from Vallejo, California I start near this collection of concrete bunkers near the so-called “historic core” of the ship yard. I’ve long been intrigued by these mysterious looking structures and the foliage that now is beginning to grow around and top of them, but it has been difficult to figure out the right light for shooting them. On this visit we gathered at about 8:00 p.m. which happened to be a few minutes before sunset. As twilight came on it seemed like I might get an interesting combination of fading light from the dusk sky and some artificial light, so I wandered off among the bunkers and shot for a while. The painted-out grafitti was something that I hadn’t see here previously, but the paint patterns in tones of blue – augmented by the blue-ish evening light – seemed to make an interesting contrast with the rough and weathered texture of the concrete walls.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 65mm
ISO 200, f/16, 30 seconds

keywords: mare, island, naval, ship, yard, vallejo, california, usa, north america, historic, night, photography, minsy, bunker, wall, concrete, cement, metal, plate, sheet, paint, blue, gray, texture, weathered, dilapidated, worn, old, historic, panorama, grafitti, evening, light, stock, industrial, urban, stock

Commentary, Photographs: Night

Yellow Wall with Door and Numbers

June 2, 2010 G Dan Mitchell Leave a comment

The wall of an abandoned building with a metal door and painted numbers and text at Mare Island Naval Ship Yard, Illuminated by gaudy yellow sodium vapor lamps.

It may be difficult (if not impossible) to make sense out of this image without some explanation. In a side alley off of Nimitz Street at the historic Mare Island Naval Ship Yard I previously found a large abandoned building that is lit at night by bright and garish sodium vapor lamps. When I photographed the building the first time I shot at the end nearest to the main street, and I ended up toning down the intense yellow tones that this type of artificial lighting produces when it shines on a subject like this building. This time I went further back into the alley and near the back of the building found a strange area around an old metal door where the weathered wall and window had been covered by strange marking apparently made with spray paint – numbered squares along the lower part of the wall and, above and out of this frame, seemingly random bits of numbers and text – with all of this interrupted by crossing pipes, conduit, boards, and general decay. With nothing in the frame but the wall, here shot straight on, the bizarrely lit surface seems to me like an almost complete abstraction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.