Tag Archives: meter

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Golden Eagle Hotel

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Golden Eagle Hotel
Golden Eagle Hotel

Golden Eagle Hotel. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Man sitting on steps in front of tattoo parlor below the Golden Eagle Hotel, San Francisco.

Last summer, on one of my “walking shoots” in San Francisco, I wandered into a less-than-lovely area of The City – though it has its points of visual interest, for sure. I named this photograph after the Golden Eagle Hotel at least partly because I assume that the dilapidated green apartment building above the colorful (in many senses) shops at street level comprise the “hotel.” Another reason is that I wasn’t sure I wanted to title a photograph “Tattoo” or “Naughty Laundry!” (I don’t know what the “Naughty Laundry” place is, and I probably am better of keeping it that way! :-)

In a sense, every photograph I make is “about” something, though often they are simply about the qualities of the subject or subjects themselves. You could certainly look at this image that way. I was certainly intrigued by the juxtaposition of the very colorful and closely packed shops and the very drab apartments above. The building itself, which may have seen better days, is interesting to me architecturally. What is with the little round windows, with their thick frames, between the conventional rectangular windows? And despite having some interesting San Francisco qualities, the building is terribly run down. A close look reveals peeling paint, wires running here and there, painted over spots of what might have been graffiti, and so forth.

Then there is that guy sitting on the step of “Goldfield’s Original Broadway Tattoo Studio.” There are no other people in the scene, and my recollection is that there really weren’t many people around. He sits, face downward and headphones on, apparently completely engrossed in whatever technology he holds in his hand, and apparently also completely disassociated from his environment. You can find a lot of people like this today.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Sidewalk, Brick Building, Hotel Sign

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Sidewalk, Brick Building, Hotel Sign
Sidewalk, Brick Building, Hotel Sign

Sidewalk, Brick Building, Hotel Sign. San Francisco, California. July 14,2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.

The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man With Cell Phone, Maroon Wall

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Man With Cell Phone, Maroon Wall
Man With Cell Phone, Maroon Wall

Man With Cell Phone, Maroon Wall. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man with a cell phone walks along a San Francisco sidewalk past maroon wall.

For the first time, I went out and did street photography with my two sons in San Francisco during the first weekend in March. It was fun, though I’m not used to shooting street (or much else) with other people, and I think my work habits may have a tendency to drive others slightly crazy. (Sons, thanks for putting up with me! :-) When I shoot street and urban subjects I tend to wander about rather slowly, looking at everything, getting distracted while I stop to shoot something, and then heading off in an unpredictable direction when something else catches my attention!

We took BART to the downtown area of the City and wandered up toward Union Square along with the rest of the horde, finally heading out into some less traveled streets where there weren’t quite so many people. We photographed various back streets and then descended through the fringes of the Tenderloin to end up at the Civic Center.

One irony is that while I am fully digital these days – though I did go with the traditional approach and shoot with only a 50mm prime – both of my sons prefer to shoot film now! There is no explaining some things! :-)

When I shoot street I tend to approach it somewhat as a landscape photographer, first looking for interesting light, patterns, colors, and so forth. At that point I often square up a composition and then look for the right person or people to walk through the scene, and I try to time the exposure to put the figure in an interesting place in the composition. In this case I think it got quite lucky with the colors of the fellow’s clothing against the maroon wall!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/100 second

keywords: man, person, walking, cell, phone, talking, maroon, yellow, tan, arch, circle, patterns, window, reflection, fire, alarm, parking, meter, sidewalk, manhole, cover, design, gate, door, vent, address, hill, slope, san francisco, california, usa, north america, street, urban, downtown, city, stock

Commentary, Ideas, Photographers

Two Photographers: Two Videos

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I came across a couple of interesting videos of photographers on the web today.

The first is a wonderful video of Michael Kenna photographing in the snow in Hokkaido, Japan. The video is partly an interview, partly a visual narrative of Kenna at work, and partly a collection of interesting scenes and images associated with some of his photographs. There is a lot to think about and consider in the video, and it struck several chords for me. Among many was his use of the word “hunt” to describe the act of looking for and finding photographic images, and not perhaps just in the sense of tracking and capturing an image, but also, I think, related to the need to be patient and to understand the “quarry.” I often have thought about the “hunt” aspect of looking for subject. (Link originally seen at George Barr’s Behind the Lens blog.)

The second video is rather different but also features a very talented landscape photographer, Charlie Cramer. Unlike the slow moving and rather poetic video of Kenna with its long silent shots and occasional sparse music, this video interview (on the Marc Silber show)  is pretty “straight ahead” – basically a record of Charlie talking about his ubiquitous framing guide, a sheet of mat board with a 4 x 5 cutout that he uses to help him visual photographs while he is in the field. This is interesting and Charlie makes a compelling case for using this “tool.” (I’ve thought about it, but never “gone there.” Perhaps I will now…) More interesting to me were a few side comments that Charlie makes in the course of the interview. For one, he refers to the frame as a “blood pressure meter,” and suggests that he more or less “just knows” when a scene is going to work because when he views it in the frame he feels his blood pressure rises. (In another context he has spoken of hearing the scene whisper, “Take me!”) The point, I think (and forgive me if I have this wrong, Charlie!) is that all of the rules of composition in the world won’t help you that much in the end – essentially you need to be able to look at the subject and “just know” that it will work and how.