Tag Archives: mist

Edge of the Pacific

Edge of the Pacific
Boulders and surf under clearing fog along the Big Sur coast.

Edge of the Pacific. © Copyright 2021 G Dan Mitchell – all rights reserved.

Boulders and surf under clearing fog along the Big Sur coast.

This photograph likely looks a bit… ambiguous. In fact, it was that sort of day along this section of the California coast. I’m generally a fan of fog when I go to photograph there, but getting just the right amount of fog in the right places takes a bit of luck — we don’t control that! I was hoping for the kind of day that starts with thick, mysterious fog but then transitions to clearing, gradually revealing features as the sun begins to appear. But that fog never fully cleared. (At one point as I was photographing a disappointed tourist stopped and more or less asked me where the Pacific Ocean was and whether or not he might be able to see it.)

Later in the afternoon the fog did begin to diminish a bit, but it remained right up against the coast. In many places when I positioned myself to photograph over the ocean, the sun was shining on the hills directly behind me as I pointed the camera into the murk at the edge fo the land. In this spot the fog had sufficiently thinned right at the coast and I was able to make out rocks right at the water’s edge… but the fog obscured and muted the more distant ocean. That distant, fuzzy line near the top of the frame is some vague, opaque combination of the horizon and fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Wetland Color

Autumn Wetland Color
A quiet morning under fog with autumn colors, Central Valley

Autumn Wetland Color. © Copyright 2021 G Dan Mitchell – all rights reserved.

A quiet morning under fog with autumn colors, Central Valley

Autumn, my favorite season, is a month-and-a-half away by the calendar — and in terms of California weather it is more like three months away. Here the transition is gradual, and the first month of solar autumn still feels more like summer on most days, with warm or even hot temperatures and no sign of changing colors, at least not in the areas closer to the coast. (By early October aspen color does come to the Eastern Sierra Nevada.) We may get teased by a few early weather fronts in October, but the actual rainy season doesn’t start until November — and perhaps later in our changing climate.

This photograph comes from an early December visit to the Great Central Valley, hardly what most people would regard as a great fall color destination. But these wetlands, many of which are preserved in wildlife refuges, attract me in late autumn and winter. Right around the fall/winter boundary there can actually be a fair amount of color out here if you know where to look for it. The main attraction is the migratory birds, but I’ve come to love the quiet landscapes of this region, too. Because I usually arrive very early — typically before sunrise — and on days when most people aren’t out here (I love fog!), I am often nearly the only person sharing these places with a few thousand of my bird friends.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.