Tag Archives: monochrome

Lamp, Cloud, Stone Walls

Lamp, Cloud, Stone Walls
“Lamp, Cloud, Stone Walls” — Midday light at Castello di Ama, Italy

While visiting a vineyard/winery here I learned some things I would not have expected about this part of Italy. I’m used to California’s wine country, especially the areas in northern California where a lot of the vineyards seem to be either on hillsides of quite often in flat river valleys. Here, at least among the vineyards around the area where I made this photograph, the vineyards are on relatively steep hillsides and, as I discovered, on soil that is more rock than dirt. There was a place where the path was well below the level of the soil surface and a section of the rock wall had been removed to show the earth down perhaps 6-8 feet deep… and it was almost entirely rock.

Speaking of these paths, I made this photograph along an old, narrow, winding “road” between the buildings of a now-isolated village. It was midday, when the light becomes much brighter and sharper, though still with that bit of softness that seems to be the norm here. The high sun angle and bright light cast a strong shadow across the wall at the left and part of the part, while a few scattered clouds floated by overhead.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sidewalk Cafe, Near Midnight

Sidewalk Cafe, Near Midnight
A Bologna, Italy sidewalk cafe a few minutes before midnight on a warm summer evening.

Sidewalk Cafe, Near Midnight. Bologna, Italy. August 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A Bologna, Italy sidewalk cafe a few minutes before midnight on a warm summer evening.

Our August trip took us from Germany, where we spent five days in Heidelberg, south toward Italy. We drove, stopping for the first night in Munich, and then continuing on the Bologna for a night. Because we got a late start from Munich we didn’t arrive in Bologna until around sunset. We made our way to our (somewhat unusual — but a story for another time) hotel, got settled, and then decided it was time to find some dinner and look around a bit.

So we emerged from our abode onto a darkened street and soon realized that Bologna was, at least at this time on this evening, nothing at all like the northern European places we had come from. (An experienced ex-pat with how we traveled explained that Bologna isn’t exactly on the same travel map as a lot of other Italian cities.) The streets were dark, as most of the meager street lights had not yet come on. The area we were in seemed to have no vegetation at all. The streets were virtually deserted. I said that it had a kind of post-apocalyptic feeling. We found a nice restaurant (on another virtually deserted street) and sat down almost alone to have dinner. The experienced member of our group said to wait a bit, that at 9:00 or so it was still too early for many people, and that big groups would soon appear, trying to get out after the heat of the day. He was right. Soon others came to the restaurant, and when we visited a nearby square after eating we found lots of people, including this group at a cafe, just a few minutes before midnight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Street Scene, Manhattan

Street Scene, Manhattan
Looking up a narrow street in the West Village

Street Scene, Manhattan. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Looking up a narrow street in the West Village

I like old photographs of cities, and especially of big cities like New York. For obvious reasons they tend to be in black and white. Once I started photographing these same subjects and making some of the photographs black and white, I began to notice that things in such places often look far more like they had in the past and that the supposed modern nature of such scenes is not at all obvious when abstracted by the camera.

I made this photograph from an elevated position along the High Line Park path that runs along a portion of the western side of Manhattan. In order to spot much here that is unique to the current time, I have to look closely — the overall impression is almost timeless. Yes, the vehicles are modern (at least for now), there are some traffic barriers in the distance that are a fairly new presence, and a very close look reveals somewhat modern attire on a few of the pedestrians.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Coastal Forest, Fog

Coastal Forest, Fog
Fog obscures a coastal forest at Point Lobos State Reserve

Coastal Forest, Fog. Point Lobos State Reserve, California. January 24 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Fog obscures a coastal forest at Point Lobos State Reserve

Many people who don’t know the California coast imagine it to be a warm and sunny place. It can be, but often it is actually foggy and damp and cold — and not a place where you’d want to lie on your towel trying to work on your tan! That iconic sunny weather does occur, especially if you go farther south, but the cold and foggy weather is more typical. Surprisingly, I much prefer the cool and foggy to the clear and sunny, and I don’t think I’m the only photographer who would rather see almost any conditions other than blue sky clear days.

On this January day I headed over to Point Lobos after hearing that there would be both clouds and big surf. In many places in this part of California the coastal hills drop precipitously and directly (or nearly so) straight into the ocean. Here at Point Lobos there is an area of flat, forested headland between the ocean and the mountains, but right behind the park the mountains do rise in layers, and on a day like this one the details of the successively higher ridges often disappear into the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.