Tag Archives: monochrome

Winter Surf, Mountains

Winter Surf, Mountains
Powerful winter surf washes over rocks at Point Lobos.

Winter Surf, Mountains. Point Lobos, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Powerful winter surf washes over rocks at Point Lobos.

I have gone to Point Lobos for decades, beginning when I was a child and my family would visit. I especially remember exploring the accessible tide pools. Today I especially like to go there on foggy days or in the winter, when the raw power of the Pacific Ocean is most visible, with winter storms churning up huge surf.

It was on such a day that I visited last January — in fact, reports of high surf were almost certainly what made me decide to visit that day. Because this coastline faces west, in the morning the coastal hills, being to the east, are often in shadow. To make this photograph I found an outcropping from which I could look back to the southwest toward the shore and juxtapose the rear of a huge wave washing over offshore rocks with the dark and ominous face of the mountains rising behind in shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Wave, Mounts Dana and Gibbs

Sierra Wave, Mounts Dana and Gibbs
Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

Sierra Wave, Mounts Dana and Gibbs. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

This is how the show began, though I had my suspicions much earlier in the afternoon. When conditions are right, a “Sierra wave” cloud formation can form along and just to the east of the Sierra Nevada crest. It can be a long, undulating cloud formation, sometimes with many stacked layers — think of lenticular clouds that are many tens of miles long. The clouds simply sit above the crest, unmoving (though subtly transitioning in form) for hours. They are very impressive in broad daylight, but in the evening when conditions are right they are lit by the last sun coming from far west of the range, and the colors can be quite nearly unbelievable.

I first saw some interesting potential clouds shortly after noon, and I began to keep an eye on them. As evening approached I thought that perhaps they might dissipate or dissolve enough that the shape would not be compelling, though some sunset color was certainly a possibility. I set out to photograph something else entirely, slowly wandering up to the far end of a subalpine meadow by myself and photographing for perhaps an hour and a half. At this point the clouds looked like they were starting to hold greater potential for something quite special, so with about 45 minutes remaining before sunset I began to head back to the western edge of the meadow, from which this view included the clouds, the Dana Fork of the Tuolumne Meadow, and the summits of Mounts Dana and Gibbs. If you are wondering if the color finally developed… stay tuned!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands, Morning Fog

Wetlands, Morning Fog
Morning fog clears from Sacramento Valley wetlands on a winter morning

Wetlands, Morning Fog. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning fog clears from Sacramento Valley wetlands on a winter morning

I love these winter mornings out in California’s Great Central Valley — cold, damp, perhaps foggy or perhaps clear, with the sights and sounds of migratory birds all around. This was my first visit to this wildlife refuge up in the Sacramento Valley, and I was in exploration mode on this visit, trying to get my bearings and begin to understand the rhythms of the place. It was a mostly clear morning, with high clouds from Pacific Ocean weather above and pockets of tule fog below.

It is easy to imagine that the wildlife refuges are wild places, someone along the lines of small wilderness areas. But the truth is more complex, at least at the refuges I’m familiar with. They are actually managed landscapes, with water levels carefully controlled to support various kinds of wildlife and even the growth of plants managed for their benefit. Those beautiful foreground curves of stubble in the water are the result of management — over the course of the season such grassy areas are cut down to ensure an optimum balance of open water and tall grasses. Beyond the water lies another peninsula lined with trees, with fog beyond and that winter sky high above it all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Western Horizon, Fog Clouds

Western Horizon, Fog Clouds
Clearing fog clouds above the Pacific Ocean western horizon

Western Horizon, Fog Clouds. Big Sur Coast, California. June 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clearing fog clouds above the Pacific Ocean western horizon

While I often am inclined to photograph the coast in the very early and very late hours, when the light is often at its most beautiful, I frequently see a special kind of light over the ocean in the middle of the day when I look to the west. Dissipating fog and the general moisture of the ocean, sometimes augmented by higher clouds, can give the backlight atmosphere a luminous and glowing quality — one that I often think of a light so intense that I can barely look into it. The ocean may lead off toward a horizon that simply disappears in this mist and luminosity.

This was a challenging day photographically, though the circumstances of making this photograph were quite mundane. I begin photographing at a slough many miles to the north, in the early morning when things were still foggy and gray. Eventually I moved down the coast, finding alternating fog and sunshine, but always high winds. It was a wonderful day to be out and about along this coast… but not an easy day for photography, and I had made very few photographs when I finally hit my turn-around point and stopped for coffee and a snack before stating to drive back to the north. After I parked and got my snack I came back to my car and noticed the small dissipating clouds of fog just offshore. The road was narrow, with no room for me to safely set up a tripod, so I shot handheld, thinking more about capturing scene data for a concept I wanted to work on in post than about capturing an “accurate” straight out of camera image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.