Tag Archives: monochrome

Birds, Trees, Ponds – California Central Valley

Birds, Trees, Ponds - California Central Valley - Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.
Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.

Birds, Trees, Ponds – California Central Valley. Merced National Wildlife Refuge. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.

In my continuing mission to share as many photographs of this little grove of trees in as many ways as possible, I now present – The Trees In Black and White… ;-) I have shot this little group on two successive weeks now, and I’m starting to almost regard them as personal friends. They are located out along the “auto tour” route at the Merced National Wildlife Refuge in California’s Central Valley. From certain angles late in the day they stand in front of a beautiful, luminous glowing sky as the sun moves to the west.

I made this photograph in the early evening, before the golden hour light. Due to these lighting conditions and the typical characteristics of the Valley at this time of year, there was a great deal of atmospheric haze. While later light would reveal the ridge of the coast range in the distance, at this time the glowing haze blocked that view, and its effect can even be seen on the trees along the far levee. As large flocks of birds flew by – I think they were geese – they would pass behind and above the trees. Often they were in odd positions – too low to be visible behind the trees or so high that I would have had to expand the angle of view more than I wanted. But patience helps. I figure that eventually some birds will almost always fly past in the more or less right position, and here a lower string of birds was accompanied by a few flying higher. As I often do with this sort of subject, I compose a landscape around a combination of what I do see (the foreground water and birds, the levees, the trees) and what I imagine I might see if I’m lucky (birds occupying the space on either side and above the trees). Then I wait. I recall pressing the shutter release when the central three birds were centered above the tallest trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Imaginary Landscape – Death Valley

Imaginary Landscape - Death Valley - An imaginary landscape derived from subjects photographed in Death Valley National Park.
An imaginary landscape derived from subjects photographed in Death Valley National Park.

Imaginary Landscape – Death Valley. Photographic components from Death Valley, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An imaginary landscape derived from subjects photographed in Death Valley National Park.

“Imaginary Landscapes” are images most often derived from photographs of natural scenes and objects, but modified in ways that are not intended to be realistic.

While working on this photograph, I was experimenting with some techniques for post processing images, particularly to control the visibility of features at the very light and very dark ends of the luminosity scale. One thing led to the next, and soon I had darkened the sky, enhanced the dynamic range in the clouds, and tried a monochrome interpretation of the scene. Then I got the idea to play around a bit with the sky and clouds and before long things had progressed to a point that was well beyond believable.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Levee, Fog, and Sandhill Cranes

Levee, Fog, and Sandhill Cranes - A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.
A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

Levee, Fog, and Sandhill Cranes. Central Valley, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

This is yet another photograph in which my landscape photographer brain perhaps took over from my wildlife photographer brain. I wrote elsewhere that even when I shoot wildlife, I often catch myself thinking about the landscape in any of several ways. While the birds are overhead, I’m purely in wildlife photographer mode, but during pauses in the action my eyes drift off to fix on elements of the landscape that might make interesting photographs.

Sometimes I put the two together and use a technique that, perhaps oddly, I also apply when doing some kinds of street photography. In essence, I think about what I can control in the scene, namely the fixed landscape elements, and I more or less create a composition with a “hole” in it where transient elements like birds might fit. Now I obviously have no control at all over what the birds will do or when and where they will pass through the frame, so there is an element of chance in all of this. Using a zoom lens helps, in that I can quickly reframe the scene if the birds happen to be lower or higher when they pass by. Needless to say, there is a lot of waiting involved, some of it which could be slightly frustrating as birds fly past just above the frame or too far away, or too low. But every so often they do pass though in an appealing location. To further blur the landscape/wildlife photography lines, I frequently do what I did in the sequence of images from which this frame comes – I pan with the camera on the tripod as the birds move along. In this case, I have to make instant landscape decisions as the background, formerly-fixed elements are now moving in the frame. Yes, landscape photography as an action sport!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trail Canyon

Trail Canyon - Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.
Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

Trail Canyon. Death Valley National Park. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

This is another photograph that I’ve been thinking about for a while, and one that I was virtually certain would be in black and white when I shot it. I’ve looked down into Trail Canyon quite a few times and tried to “see” a photograph that would somehow consist entirely of the overlapping ridges and layers of stratified rock, tilted at crazy and seemingly opposing angles. My previous photographs of this location had been made late in the day – when the light is beautiful in many directions from this overlook, but when the canyon itself is often shrouded in early shade.

I made this photograph in the morning. It was my first time at this location high in the Panamints at dawn instead of at sunset. I arrived on a cold winter morning before dawn to find no other people there and no wind. (The latter is a bit unusual here, but was certainly welcome, seeing that I would be shooting with long focal length lenses.) The first subject to shoot was the pre-dawn light on clouds high above the landscape. Then my attention moved to the first light striking various higher points within my range of view, and then followed the light as it worked its way down to lower elevations. After that I turned my attention more to guts of this canyon, but was not getting quite what I wanted at first – until the sun rose high enough to peak over ridges and begin to highlight the inner folds of the canyon as seen in this photograph. I made several different compositions, but in the end decided on this one that eliminates any extraneous elements outside of the canyon itself.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.