Tag Archives: monochrome

Levee Road and Tree

My plan was to photograph birds migratory birds on this foggy Central Valley morning. But the fog was so thick when I arrived that I couldn’t even seen the birds. And then, as the fog began to thin, the light was so beautiful — and the birds still so scarce — that I ended up mostly making landscape photographs. I made this one when the shallow fog had cleared enough to reveal the early morning sky, even though the fog bank still covered the landscape beyond the levee road and tree.

I visit this place often at this time of year — a rather nondescript part of the Central Valley. It isn’t just that it’s not the sort of place you would notice as you drove past — it is so far off the beaten track that the odds are you would never even go there. But after years of poking around here I have come to love the landscape, especially on foggy winter mornings like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Storm Surf

At one point while photographing the late-December winter storm surf along California’s coastline, I momentarily hit the light jackpot. While the far horizon was still dark and stormy, a break in the shoreline clouds cast bright sunlight on the surf crashing onto this beach. On a typical day the largest waves here would be more like the one at the bottom of the frame. On this day the biggest waves were huge and loud and sent spray far inland.

Many of us head straight to the coast when conditions like these arise. It is a spectacular thing and not to be missed. At the same time, authorities issue lots of warnings about the dangers. The dangers are real and you certainly want to keep your distance from the sea when it behaves like this. But with a degree of caution you can — and should! — safely watch the show.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Breaking Wave, Reflected Sun

Breaking Wave, Reflected Sun
“Breaking Wave, Reflected Sun” — Winter sunlight reflects on the water beyond a breaking wave during a Pacific storm.

Between Christmas and New Year’s Day, California had several days of extraordinarily high surf, produced by storms far out in the Pacific Ocean. Media reports consistently warned citizens to “stay away from coastal areas.” Consequently, many of us high-tailed it straight to the nearest coastal areas to watch the show! (In all seriousness, this kind of surf really is dangerous. If you go, please observe from a very safe distance.) We visited the section between Santa Cruz and Half Moon Bay, and the surf was as big as I’ve ever seen it.

It was cloudy most of the time, but occasionally the sun managed to break through a bit, creating beautiful reflections on the waves and the distant ocean. This photograph is one of a series I made from a high (and safe) observation point on a peninsula that juts out into the ocean. From here I could watch the waveS break and continue on toward the shore to my left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Urban Wild, Manhattan

Urban Wild, Manhattan
Tightly packed buildings and large trees, Manhattan.

Urban Wild, Manhattan. © Copyright 2023 G Dan Mitchell.

Tightly packed buildings and large trees, Manhattan.

This photograph embodies something about Manhattan that I’ve mentioned before: For such an intensely urban place, there are a lot of examples of the natural world. It isn’t the kind of (ostensibly) “pure” nature that we see in the America West, but I sometimes think that its close juxtaposition with the city environment almost makes it more precious. We have whole forests out here in California, but in Manhattan a single tree can sometimes mean almost as much.

I saw this scene from the High Line Park as we walked its length last November. To those of use used to living with more space around and between us, the closeness of urban abodes along this park is surprising, and it almost seems voyeuristic to take a long look through the trees in someone’s tiny yard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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