Tag Archives: moon

Wooden Building and Stairs in Moonlight

Wooden Building and Stairs in Moonlight
Wooden Building and Stairs in Moonlight

Wooden Building and Stairs in Moonlight. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

The light of the full moon illuminates the facade of a wooden building, and outside stairway, and passing overhead fog clouds at Mare Island Naval Ship Yard.

Since I was out doing night photography this weekend, I’m going to use this as an excuse to insert a night image into the recent stream of Death Valley photographs. (There are more of those, but a bit of variety can’t hurt.) I got an email from Tim Baskerville, the guiding light (guiding dark?) of The Nocturnes, the San Francisco Bay Area night photography group. Tim has introduced and guided many new night photographers over the past few decades, and The Nocturnes group is a sort of loose collective linking together lots of night photographers and providing instruction, online resources, and shows of night photography work. As this is the 20th year for the group, lots of special activities are taking place and this little spontaneous get-together at Mare Island was one of them.

A small story from this weekend’s shoot may illustrate the widespread effect of Tim’s work with night photography in general and with the Mare Island location specifically. Those of us who were to meet Tim at Mare Island arrived to find other photographers already assembled at the indicated meeting place – but we didn’t really recognize most of the group. It turns out that another night photography group (loosely organized, as I understand it, by Thomas Hawk and Ivan Makarov) was going to be there as well. We spoke with them a bit and then they departed for the far end of the island. (They returned later and we worked side by side.) But then, a few minutes later, more vehicles began to show up and we thought that they might be the rest of our group, especially when someone asked “Are you the Nocturnes?” But no, this was a third night photography group, this one out of Sacramento!

In any case, as the light diminished and night came on we started shooting. We had a nearly full moon, which can be a wonderful asset, not so much as a subject (it is very difficult to include the full moon in night shots) but for the beautiful light is sheds on other subjects that might otherwise be very dark. On top of that, we had a combination of some high clouds (which are relatively stationary) and low fog (which creates a nice luminous glow as it quickly passes). I decided to begin the evening’s work by photographing this wooden-sided building and its outside staircase, illuminated by the moonlight, and with a bit of the cloudy sky and faint star trails.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats
Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

The first dawn light on the snow-dusted Panamint Range is reflected in shallow winter pools on the salt flats of Death Valley National Park.

This is yet another story of serendipity, I think, though it also does involve some advance work – which should please those who become uncomfortable with the idea that not every landscape photograph results from a slow and deliberate and well-planned process! ;-)

The general location of this scene is along a section of salt flat just below the Salt Creek turnoff from the main highway – it is the first area of obvious salt flats that you come to as you head south towards the Furnace Creek area. One one of my first photographic visits to Death Valley I recall stopping near this location along the road and trying to make a photograph pointing down the length of the Valley. It was not successful, but I’ve always been a bit intrigued by this location where the road has to curve around to the east to avoid this salt flat. A day or two earlier on this trip I had stopped along the road at almost this exact location during the “boring light” part of the day after shooting somewhere else. I had wandered – without any camera gear – down across the wash to a patch of brown salt grass and beyond to the edge of the salt flat. I had noticed a lot of things: the very alien nature of this landscape consisting of mud and caked salt and not much else, the surprising presence of some worms and larvae in this tremendously salty water, the fact that the water seemed to seep from beneath the wash, and the interesting shapes that the water created as it slowly spread along the edge of the salt flat.

Move ahead to this morning, the final one of this trip to Death Valley, and I was up well before first light. I had several ideas about what I might photograph, but had not made a firm decision yet since the weather was something of an unknown. I had a vague idea about heading north up the valley and photographing the first light on the hills along its western edge. I was keeping open the possibility that spectacular light might make it worth while to photograph Zabriskie. But I really didn’t know.

I drove to the Furnace Creek/Scotty’s Castle junction and pulled over to watch the light begin to grow. There were lots of clouds! It looked like a lighter area might evolve straight to my east, but I couldn’t quite see photographic potential in it. To the north things looked pretty bleak. There was some possibility that light could happen way to the south, but I wasn’t convinced. I decided to drive a bit south and see what might happen, and very soon I came back to this place where I had stopped earlier. The light wasn’t very promising – clouds to the east seemed likely to block the sunrise light even though there were some interesting cloud patterns overhead that were starting to become more transparent as the sky began to lighten.

Then I caught just a bit of light on some of the higher clouds above the middle level clouds and I started to wonder if the light just might make it through. I went to the back of the car and grabbed my camera with one lens already attached and mounted it on the tripod. I wasn’t sure if I’d want wide or tele for some of the possible subjects, so I grabbed two additional lenses and stuck them in a shoulder bag and headed down the wash, not really looking up too much, just heading straight towards these little areas of water that I remembered from earlier. As I got close to the edge of the flats I saw that, indeed, a band of sunrise light was coming in below the cloud deck to the east (something I have learned to watch for) and starting to light up the highest peaks of the Panamints. I knew that if this light survived long enough to make it down across the range that it was going to happen fast, so I quickly headed out onto the edge of the flats, more or less ignoring the larger scene and simply looking for an interesting reflecting pool. As I set up – working very quickly now – the first sun lit up the face of the panamints and revealed radiating cloud shapes above. I had perhaps two minutes of this light… and then the small gap along the eastern horizon must have closed up as the light disappeared and went back to gray.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rhyolite Bank Ruins, Full Moon Light

Rhyolite Bank Ruins, Full Moon Light
Rhyolite Bank Ruins, Full Moon Light

Rhyolite Bank Ruins, Full Moon Light. Rhyolite, Nevada. March 27, 2010.© Copyright G Dan Mitchell – all rights reserved.

The light of the rising full moon illuminates the ruins of the old bank building against a star-filled sky in the ghost town of Rhyolite, Nevada.

I have photographed the ghost town of Rhyolite, Nevada on several occasions in the past, but always in the very early morning. (I have a habit of hitting Rhyolite before dawn, shooting as long as the light allows, visiting Beatty for cheap gas and breakfast, then heading back to Death Valley via Titus Canyon.) I have wanted to try photographing the location both at sunset and under a full moon, and the timing for both worked out on my late March visit to Death Valley National Park. Late on my second afternoon I headed east out of the Valley and over the pass and arrived at Rhyolite before sunset.

I spent some time wandering around the familiar locations in the unfamiliar late-day light. In the end, my suspicion that Rhyolite is more of an early morning location than an evening location seemed to be confirmed. At this time of year the sun sets a bit too far to the “right” as you look west, and the the light is blocked by a low hill at just the time it would otherwise become interesting. I did make some photographs of the ruins of the ghost town in the fading light… then I settled in to make a few night photographs of the tall bank building ruins.

I’m thinking of this as sort of a practice run for a return visit for more Rhyolite night photography. I think that the full moon timing has potential, but I want to try again and think more about the placement of the structures relative to the North Star. One more thing… when I arrived there was essentially no one else there. Soon a couple other photographers showed up, but the place was still relatively deserted. Then, after dark, I was surprised when a number of cars showed up. There was apparently some sort of night photography workshop visiting the place – perhaps I shouldn’t be surprised that they acted like they owned the place and that the rest of us didn’t matter. Most night photographers would know better than to drive into a shooting location with headlights blazing, and they might ask photographers who were already there if their light painting would interfere with shots underway. Just sayin’…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 22mm
ISO 200, f/11, 432 seconds

keywords: death valley, national, park, nevada usa, north america, scenic, travel, nature, desert, full, moon, light, rising, rhyolite, ghost, town, ruins, abandoned, weathered, column, bank, building, wall, window, sky, star, trail, night, nocturnal, photography, shadow, historic, mining, stock

Moonlit Building, Windows and Stairs

Moonlit Building, Windows and Stairs
Moonlit Building, Windows and Stairs

Moonlit Building, Windows and Stairs. Mare Island Naval Shipyard, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night photography of an old moonlit building with windows and metal stairs at the historic Mare Island Naval Shipyard, Vallejo, California.

Late in the evening of this visit to Mare Island with The Nocturnes I decided on one last little project – to wander off from the places where I most often shoot around the “historic core” of the facility and find a few out of the way and more isolated subjects. As I walked down one street I saw a driveway leading back into an area between a bunch of old buildings so I decided to check it out. After photographing a much larger building covered with external pipes (photo still in progress) I turned around and saw the moonlight falling across the worn paneling, windows, stairway, and sharp angles of this wooden building.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 162 seconds

keywords: minsy, mare, island, naval, shipyard, vallejo, california, usa, north america, san francisco, bay area, night, photography, nocturnes, rust, paint, worn, weathered, peeling, paint, paneling, railing, stairs, stairway, shadow, moon, full, moonlit, angles, window, frame, door, room, industrial, urban, stock, historic, reflection