Tag Archives: morning

Wetlands, Dawn Fog

Have I mentioned how much I like photographing fog? Why, yes, I have! Fog can make almost any subject mysterious and moody. Even a banal urban or natural scene can become magical under its influence. This is especially true in places like this, an agricultural landscape that otherwise includes utilitarian elements — cattle barns, power lines, buildings with lights, roads. But fog mutes those distractions and leaves us with just atmosphere, light, color, and bits of solid reality. The landscape becomes less literal, and we fill in our own stories.

It was initially too foggy (and too dark!) to photograph here, so I just headed out to potential locations and watched to see what would happen. Tule fog is often shallow, and I could see high clouds as the sunrise colors suffused the fog as it began to thin. The density of fog adds up across distance, and here makes it impossible to tell where the land and water end and the sky begins.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Foggy Wetlands Sunrise

I made this photograph of a foggy wetlands sunrise during a late January visit to California’s Central Valley. The main draw was the prospect of photographing migratory birds, but I chose the day because of the tule fog. I love photographing in the Valley on winter tule fog days — the fog turns the agricultural landscape into something magical. I made all the photographs in the series over perhaps a one-hour span and within a half mile of each other.

The fog was so thick when I arrived before sunrise that it was too dark to photograph. I got my gear ready, finished my coffee, and then set off into the gloom to find good location to watch it begin to clear. It wasn’t long before I came to a spot where the fog was thinning. The timing was perfect as the sun was just rising above the distant Sierra Nevada, with colorful and diffused light above the ponds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Levee Road and Tree

My plan was to photograph birds migratory birds on this foggy Central Valley morning. But the fog was so thick when I arrived that I couldn’t even seen the birds. And then, as the fog began to thin, the light was so beautiful — and the birds still so scarce — that I ended up mostly making landscape photographs. I made this one when the shallow fog had cleared enough to reveal the early morning sky, even though the fog bank still covered the landscape beyond the levee road and tree.

I visit this place often at this time of year — a rather nondescript part of the Central Valley. It isn’t just that it’s not the sort of place you would notice as you drove past — it is so far off the beaten track that the odds are you would never even go there. But after years of poking around here I have come to love the landscape, especially on foggy winter mornings like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Cranes, Morning Sky

If you follow my photographs, it is possible that you recall another photograph of these two cranes in morning sky a few weeks ago. Sometimes I use burst mode to photograph birds as they fly past. One advantage is that you have a better chance of getting that perfect moment when things happen quickly. However, a disadvantage is that you end up with a lot of photographs to review! When this pair flew over, out of perhaps a dozen frames there were two that I liked.

The photograph, and its near-twin, are slightly unusual for me. For one thing, I tend to include some landscape or foliage with the birds. But here it is just birds and sky, albeit with some lovely, fluffy clouds. The angle and color of the light were just about ideal. It was coming at a low angle from my right, where the sun was just over the horizon. As a result the warm, early light shone upwards onto the undersides of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.