Tag Archives: morning

Monterey Cypress Snag

Monterey Cypress Snag
The skeleton of a Monterey cypress snag above a cove and peninsula on a foggy Point Lobos morning.

Monterey Cypress Snag. © Copyright 2022 G Dan Mitchell.

The skeleton of a Monterey cypress snag above a cove and peninsula on a foggy Point Lobos morning.

This weathered Monterey cypress snag is evidence of the rugged lives of these trees. At Point Lobos many are found along the rocky, rugged, and exposed north shore, where they grow on rocky headlands and at the edge of cliffs. The growth of thriving trees can seem almost lush, but if you look around you’ll inevitably find a lot of struggling trees and dead snags like this one.

Making this photograph was an almost comical affair. A challenge of photographing here is that there is rarely a clear, unobstructed view of interesting subjects. In some cases you could get such a view by (illegally) venturing off the trail, but in addition to being bad manners that is often very risky. To find compositions I often have to be creative, perhaps thinking about how to work the obstructions into the composition, or by shooting around and between them with long lenses. To make this photograph I had to set up in the middle of a narrow section of the trail, use a very wide angle lens, and put the camera in the one precise position that worked… and I had to move the whole setup several times to let people pass as I worked.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cliffside Trees, Fog

Cliffside Trees, Fog, Point Lobos
“Cliffside Trees, Fog” — Monterey cypress trees line the rocky edges of the north shore of Point Lobos on a foggy morning.

This is another in this week’s series of photographs from a recent foggy morning at Point Lobos State Reserve, a favorite location where I have photographed for decades. I live a bit more than an hour away, so I can watch the weather and head over there almost at the spur of the moment when conditions look good. And the conditions on this morning were excellent, with the fog being both persistent and often translucent.

Tall cliffs tower above rugged peninsulas, rocky promontories, and coves along the north shore. This is one of the best locations to see Monterey cypress trees that have been challenged and bent by the rocky terrain and the wind. Many of the trees in this photograph grow at the edge of the land and subsist on little more than the thin soil collected in cracks in the rock.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ridges and Shadows

Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Evening Dunes

Evening Dunes
Soft early-evening light on san dunes as the last sun strike distant desert mountains.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Soft early-evening light on sand dunes as the last sun strikes distant desert mountains.

Photographers (and other creatives) understand that their perspective on their own work will always differ from those of others. It cannot be any other way. Only the photographer — that’s me! — knows the circumstances and experiences of making the image. No one else can ever see the photograph the way I do or know all of the associations it evokes. Perhaps this is a reason that we tell stories about photographs. We hope to fill in some of what the photograph alone cannot tell.


So, some backstory: This was the first time I visited at this semi-remote desert location. I planned to photograph in the evening, camp nearby that night, and photograph again in the morning. My camp was a bit more than a half hour walk from the location, and this was the very last photograph I made that evening. Astute observers (and fellow photographers) may wonder: “Why did you stop when that light was still on the mountains?” Well… I was there to photograph the dunes. It was extremely windy and the low light was becoming more of a problem. The light on the mountains was beautiful, but there wasn’t a photograph there. And I had a long walk back to my camp, alone and across terrain that I had not visited before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.