Tag Archives: national

Early Evening Forest Light

Early Evening Forest Light
Early Evening Forest Light

Early Evening Forest Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Yosemite Valley forest in early evening light.

This is an “intimate landscape” photograph of an otherwise nondescript little scene that you could probably find repeated thousands of times in Yosemite and multiples of that throughout the Sierra. I saw it while wandering along a roadside trail in search of more dogwood blossoms in a spot where few are likely thinking much about the view, as it is located near an intersection that people might pass through as they exit the Valley.

These little scenes are everywhere and I don’t think it is all that hard to find them… if one just slows down a bit and looks a bit more attentively. In this case, there was a momentary effect of light as the sun dropped low enough to cast long shadows through the dense part of the forest yet still light the upper portions of taller trees beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light
Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The flower-laden branches of a dogwood tree hang above the Merced River in sunset light

In the evening we had pulled off the road near the place sometimes called “Gates of the Valley” (and occasionally by other names), but I was not especially interested in photographing the famous and iconic scene that many stop there to photograph. I wouldn’t rule out photographing it, but it would have to be an exceptional evening to warrant adding my contribution to the uncounted photographs that have been made of the Merced River, Bridal Veil Fall, and El Capitan from this spot. We stopped for dogwoods.

I have photographed the dogwood blossoms in this area plenty of times in the past, and at the right time there can be a lot of flowers here. This was one of those right times, since it seemed like an exceptional spring for production of dogwood blossoms. Initially I had my eyes on some trees on the north side of the road, but first I thought I’d wander east a bit. That turned out be a good direction to walk for several reasons – I unexpectedly ran into friends who were also photographing here, and I found one beautiful tree that was hanging its blooms out over the waters of the Merced River. I then headed back to the west, stopping to talk to other folks (it seemed like everyone was out photographing dogwoods on this evening!) and then continuing on past the pull-out, stopping along the way to make more photographs of dogwoods and the forest in evening light. Before long I ended up at a well-known bridge over the Merced – where, yes, I ran into more friends! When I got there I almost felt like I was ready to call it an evening, but then I saw the low angle near-sunset light coming up the river and recalled a bunch of flowers I had seen there earlier in the day. I thought it might be interesting to shoot almost straight into that light and use a long lens to “get close” to the flowers and to throw the background along the river out of focus. The result is a dogwood flower photograph this is a bit different from most that I shoot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Granite and Trees, Morning

Granite and Trees, Morning
Granite and Trees, Morning

Granite and Trees, Morning. Yosemite National Park, California. May 12, 2003. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on granite slabs in the Yosemite high country.

These are the light, the rocks, the trees that bring me back to the Yosemite high country of the Sierra Nevada every year when Tioga Pass opens and which keep me coming back until the high country closes again in the fall. Tioga Pass opened for the season this past weekend, and that – plus the chance to see a show and visit with some friends in the Valley – was excuse for a quick visit. I try to go over the pass each season on the day it opens or shortly afterwards. For me, crossing that pass and starting down the road into Lee Vining Canyon marks the start of “summer,” even though the calendar still says it is spring.

Since the high country camp grounds are not open yet and the Forest Service camps east of the pass are also still closed, I ended up getting a last-minute camp site in Yosemite Valley. (This also provided the opportunities to attend the reception for John Sexton’s and Anne Larsen’s show at the Ansel Adams Gallery, to hear John’s wonderful talk about Ansel Adams that evening, and to get one last crack at photographing this year’s dogwood bloom.) On the first day I did little more than make an obligatory drive up toward the pass and see the familiar country. This was the second dry winter in a row in California, and there is very little snow for such an early date in the season. Perhaps because of this, there were far fewer people up there than on other recent opening days. On the second day I got up well before dawn and left my Yosemite Valley camp in darkness, driving up Tioga Pass road early enough to photograph in the May Lake (turnoff), Olmsted Point, and Tenaya Lake areas in early light. Here I found what I was looking for – sparse trees in the back-light from early morning sun, ridges of exfoliating granite, and a bit of hazy morning atmosphere. I suppose it might just be my first high-country photograph of the new season.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cliffs, Morning Light

Cliffs, Morning Light
Cliffs, Morning Light

Cliffs, Morning Light. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.