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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

North Dome and Merced River Trees, Winter

February 25, 2010 G Dan Mitchell 1 Comment

Black and white photograph of North Dome and bare winter trees reflected in the Merced River near the swinging bridge, Yosemite Valley, California.

After first getting distracted by dawn light on Yosemite Falls – and joining a small throng of other photographers shooting this exact same subject (he writes, somewhat embarrassed… ;-) – I pulled myself together and wandered off along the Merced on this frosty morning looking for scenes that were a bit less obvious. I’m not going to claim that this one is completely non-iconic – I can’t since North Dome, in the upper center of the frame, is a fairly well known feature of the Valley. However, the thing that mostly caught my attention here was the skeletal shapes of the dormant trees along the Merced River and the way they lined up across the scene creating some interesting symmetries and forms against the background of the upper end of The Valley.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 35mm f/2
two blended images: ISO 100, f/11, 1/40 second and ISO 10, f/11, 1/10 second

keywords: yosemite, valley, national, park, california, usa, north america, meadow, swinging, bridge, cottonwood, silhouette, grass, sky, north, dome, royal, arches, snow, reflection, ripple, morning, light, black and white, monochrome, sierra, nevada, mountain, range, clouds rest, landscape, scenic, travel, nature, bare, forest, grove, stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Sunset (#3)

February 24, 2010 G Dan Mitchell Leave a comment

Photograph of Horsetail Fall – the “natural firefall” – along the eastern end of the face of El Capitan, Yosemite Valley, California.

I made this photograph from “the other” vantage point for viewing the winter Horsetail Fall light show. I’ve shot this subject a few times in the past, but always from the general area of the picnic area at base of the east end of El Capitan. Since I thought the light might be good on this evening I decided to try the location along Southside Drive at a point between the crossover road near El Capitan and the start of the Four Mile Trail where many people photograph this scene. Yeah, it is an icon. What can I say? (Well, I can say that my favorite photograph from this particular trip to the Valley is actually a black and white image of a couple branches of a dormant fern plant – but that’s a different photo and a different story.)

This location – I’ll call it the “Merced River location” – is popular among Horsetail Fall photographers for several reason. For one it is very accessible. To be blunt, you can find a shot within a few seconds walk from your car! (Unless you arrive late and all the parking is gone, a distinct possibility in such a popular spot, especially if you go on a weekend when the sunset light hits the fall.) It also provides a different sort of view of the fall. While the view from right beneath El Capitan tends to provide a slightly wider and closer view of the upper fall, this one provides a clear view of a greater portion of the fall along with the little valley above the fall. And because it is a bit further east, you are looking at the fall more from the side. This means that when things work out just right the brilliantly lit fall becomes a very thin stream against the much darker background rock.

The light on this evening was perhaps not quite “classic” Horsetail light. There was some nice color, but the light faded before it became brilliantly colorful. It seemed like perhaps the sun (which is itself not visible to photographers from here) might have passed behind some distant clouds in the west just before reaching the horizon. The development of the brilliant sunset color was somewhat muted when this happened.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 360mm
ISO 200, f/11, 1/50 second

keywords: yosemite, national, park, valley, california, usa, north america, nature, winter, horsetail, fall, waterfall, water, gold, molten, light, sunset, dusk, glow, fire, firefall, cliff, el, capitan, cap, face, crack, water, spray, mist, sierra, nevada, mountain, range, february, stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Sunset (#2)

February 22, 2010 G Dan Mitchell 4 Comments

Horsetail Fall in the final sunset light on a mid-February evening, Yosemite Valley, California.

I was in Yosemite Valley for a couple of days during the middle of February. My main reason for going was not to photograph the seasonal and iconic sunset light on Horsetail Fall, but it turned out that I did just that – twice. Since I have photographed the phenomenon in the past and already have a photograph that I consider a success, shooting it again isn’t at the top of my to-do list. However, I’ll shoot an icon if I think that the conditions might be special. In the afternoon I had been up high enough to get a clear view to the west, and it had looked almost completely clear. This is pretty much a necessary condition for good light on Horsetail, since the very late and low-angle light has to come in from across the Central Valley unobstructed. And, as everyone knows by now, the fall is an intermittent and seasonal event that depends on the right combination of prior snow (or rain) and warm weather to get the creek feeding the fall running in the middle of winter. It turned out that this had also happened, and the fall was running pretty strongly.

So, with all of those pieces apparently in play I decided to head on over to the picnic area beneath El Cap and then wander east until I found a suitable viewpoint. Still a bit ambivalent about shooting Horsetail, one reason I chose this spot is that it allowed me to shoot other subjects in the late afternoon and then arrive more or less at the last moment (around 5:00 p.m.) and still find parking and a spot to shoot. The parking, especially, can be more problematic at the other popular location, located along Southside Drive.

In the end, it was an odd evening for Horsetail. As the sunset continued the fall began to glow, and it looked like it might possibly turn out to be a really special night to shoot this subject. But then a few minutes before the peak of color would have occurred… it was as if someone switched the lights off. Very quickly the color dimmed to much more muted shades and remained so as the light faded. This was my last shot before that turn of events occurred, and this color corrected version (compensating for the otherwise very blue light on the rock face not struck by the sunlight) picked up some nice light and some of the most delicate and beautiful spray I’ve seen on the fall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: yosemite, national, park, valley, california, usa, north america, nature, winter, landscape, cliff, water, fall, waterfall, creek, el capitan, ledge, crack, tree, skyline, ridge, buttress, mist, spray, horsetail, fire, evening, sunset, light, travel, scenic, mountain, sierra, nevada, range, winter, february, shadow, stock

Photograph Exposed

A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

January 14, 2010 G Dan Mitchell 3 Comments

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Submerged Boulders, Lake, and Cliffs — Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal, following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s. (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)

My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.

Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.

As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.

A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs” →

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