Tag Archives: nevada

Horsetail Fall, Sunset (#2)

Horsetail Fall
Horsetail Fall

Horsetail Fall, Sunset (#2). Yosemite National Park, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

Horsetail Fall in the final sunset light on a mid-February evening, Yosemite Valley, California.

I was in Yosemite Valley for a couple of days during the middle of February. My main reason for going was not to photograph the seasonal and iconic sunset light on Horsetail Fall, but it turned out that I did just that – twice. Since I have photographed the phenomenon in the past and already have a photograph that I consider a success, shooting it again isn’t at the top of my to-do list. However, I’ll shoot an icon if I think that the conditions might be special. In the afternoon I had been up high enough to get a clear view to the west, and it had looked almost completely clear. This is pretty much a necessary condition for good light on Horsetail, since the very late and low-angle light has to come in from across the Central Valley unobstructed. And, as everyone knows by now, the fall is an intermittent and seasonal event that depends on the right combination of prior snow (or rain) and warm weather to get the creek feeding the fall running in the middle of winter. It turned out that this had also happened, and the fall was running pretty strongly.

So, with all of those pieces apparently in play I decided to head on over to the picnic area beneath El Cap and then wander east until I found a suitable viewpoint. Still a bit ambivalent about shooting Horsetail, one reason I chose this spot is that it allowed me to shoot other subjects in the late afternoon and then arrive more or less at the last moment (around 5:00 p.m.) and still find parking and a spot to shoot. The parking, especially, can be more problematic at the other popular location, located along Southside Drive.

In the end, it was an odd evening for Horsetail. As the sunset continued the fall began to glow, and it looked like it might possibly turn out to be a really special night to shoot this subject. But then a few minutes before the peak of color would have occurred… it was as if someone switched the lights off. Very quickly the color dimmed to much more muted shades and remained so as the light faded. This was my last shot before that turn of events occurred, and this color corrected version (compensating for the otherwise very blue light on the rock face not struck by the sunlight) picked up some nice light and some of the most delicate and beautiful spray I’ve seen on the fall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

keywords: yosemite, national, park, valley, california, usa, north america, nature, winter, landscape, cliff, water, fall, waterfall, creek, el capitan, ledge, crack, tree, skyline, ridge, buttress, mist, spray, horsetail, fire, evening, sunset, light, travel, scenic, mountain, sierra, nevada, range, winter, february, shadow, stock

A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal,  following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s.  (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)

My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.

Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.

As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.

A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

Answering Some Death Valley Photography Questions

“Dave” wrote to ask some questions about Death Valley in February, and I thought it might be useful to share my replies with others who are thinking about a visit to that localation.

• Jeep Wrangler good idea for the area and to get into the Racetrack?

First, I’ve posted here a few times about the logistics of visiting and photographing at the Racetrack – you might want to take a look at this post.

A Jeep Wrangler should get you out to the Racetrack Playa just fine. The main difficulties with the road involve very badly washboarded surface, some very gravelly spots (especially near the start), and the fact that you’ll cover 27 miles of this stuff one way. It is not a particularly steep or twisty road. In normal conditions I would feel OK doing it in a two wheel drive vehicle as long as it had good ground clearance and good tires – and the Wrangler should qualify.

Unless you want to drive (too) fast and risk tire damage, you’ll want to give yourself perhaps a couple hours one way. Continue reading Answering Some Death Valley Photography Questions

Dry Creek and Late-Season Meadow

Dry Creek and Late-Season Meadow

Dry Creek and Late-Season Meadow. Yosemite National Park, California. September 10, 2009. © Copyright G Dan Mitchell – all rights reserved.

Morning light illuminates a dry creek bed winding though late season meadow grasses and trees near Fletcher Lake, Yosemite National Park, California.

As the trail at Fletcher Lake heads upward to begin the climb towards Evelyn Lake there is an area in the meadow to the left of the trail where small trees have begun to infiltrate the meadow and there is now a “mini-forest” of sorts. I’ve photographed this spot – this exact spot, actually! – before, and I often like to shoot it in the morning light when the low angle sun first hits the meadow. Here a dry seasonal runoff creek winds between the trees in this section of mixed meadow and young forest.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

keywords: dry, creek, stream, bed, late, season, summer, meadow, plant, grass, foliage, flora, tree, small, lodgepole, pine, rock, light, silhouette, forest, fletcher, lake, vogelsang, high, sierra, nevada, camp, mountain, range, landscape, nature, scenic, travel, hike, camp, backpack, morning, winding, shadow, yosemite, national, park, california, usa, wilderness, alpine, stock