Two apartment windows look out from an upper story apartment in Brooklyn, New York.
Looking through the curtains of this upper story apartment in Brooklyn, New York, the upper walls and rooftops of surround apartment buildings are visible.
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A metal wall near the World Trade Center site reflects the colors of surrounding buildings and passers-by.
During our recent visit to New York City we spent some time at the World Trade Center site. This is the third time we have been there. The first was right around New Years 2000, when we did the typical tourist thing and went to the top of the WTC at night and looked over the city. It was an innocent time, wasn’t it?
The second visit was not until a year ago after our oldest son moved to Brooklyn and got a job working within a few blocks of the site. After nearly a decade of media coverage of the events of 9/11 and all of the associations connected with that event, walking up to the actual place was a powerful and sobering experience. At that time, there was nothing much to see other than what appeared as a giant empty space occupied by cranes.
This year things were different in many ways but the same in many others. The area is now a hotbed of activity, with impressive new buildings soaring skyward, construction workers and equipment everywhere. From the right vantage points, portions of the site are beginning to show signs of what the place will become when it is finished – we could even see an area where new trees are planted. As we walked a circle around the area though, reminders of what happened there are still to be found, both small and large. The memory of coming upon a nearby fire station with its poster filled with the photographs of scores who lost their lives on that date affects me even now as I write this.
This photograph was made as we walked along what I recall as the north side of the site, past the new tower that is rapidly becoming the tallest structure in lower Manhattan. A busy sidewalk travels through here, squeezed between the construction area and existing buildings. This metal wall was on one of those buildings, and it is colored by reflections of people passing by, buildings, and sky.
People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.
I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.
The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.
A group of people on the “down escalator” at the Museum of Modern Art, New York City.
I couldn’t resist the idea of photographing the steady stream of distracted people coming down this escalator at the Museum of Modern Art in New York City. I employed a technique that I often use when shooting on the street, namely to find an interesting structural subject (in this case, the escalator) and then wait for the right person or people to occupy the frame. I made a series of photographs of people on this escalator, and ended up liking this one the most. There are a number of specific things about the people in the scene that attract my attention, but I’ll let you discover them on your own, should you be so inclined.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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