A portal near the convergence of two white walls, Museum of Modern Art, New York.
While walking on an upstairs floor in a central area of the New York Museum of Modern Art, I was in an area with stark white walls and portals to an inner “well” – the edges of the portals were treated in warmer tones of paint.
Since the image is minimalist, I’ll make my description minimalist as well.
A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.
Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.
The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.
A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.
This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of narrow urban canyon that is Maiden Lake, in the financial district of New York City.
This street scene is in lower Manhattan, not far from the site of the World Trade Center towers. The morning light seems especially interesting on this curving street as the sun manages to penetrate all the way to the street level and the illuminated fronts of the buildings lining the “concrete canyon” are visible due to the curve.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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