Facades of residential buildings along a hilly street in downtown San Francisco.
With all of the landscape and nature photography I’ve posted recently, I figured it was time for something different. This is a street scene in San Francisco I photographed on a quick walk on an early March day in 2010. Many of the other photographs I made in this area included people, but it this one I wanted to isolate the fronts of the buildings, especially the contrast between the relatively fixed-up one on the left and the more weathered one on the right.
I made this photograph during midday hours after walking a ways up into the canyon from its mouth – the alternative to making the very long drive over the Grapevine Mountains from Amargosa Valley. (I have done the latter a few times, too.) While most Death Valley subjects tend to be appealing in the early morning or in the evening, many of the canyons can be at their best during the middle of the day, especially the very deep and narrow canyons like lower Titus Canyon. Here the canyon narrows down to the point that there is only room of a single gravel track, and twists and turns around rocky outcroppings. The light striking the upper canyon walls – out of the range of this photograph – reflects down into the canyon and produces soft, diffused illumination.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A gravel wash in the bottom of the narrow confines of Natural Bridge Canyon, Death Valley National Park.
These narrow canyons, of which there are a number of great examples in Death Valley, can provide some interesting photographic opportunities, but they also can pose some real challenges. Much of the rock in these places is, frankly, rather drab and of low contrast. However, at the right time of day and on a day with the right light and in the right parts of these canyons, the glowing light reflected down into the canyons from overhead rock walls can produce warm and diffused light and bring interesting colors to the place.
I made an unusual decision to use a very long focal length for this photograph – it was shot with a 100-400mm zoom at 330 mm. More typically I would probably tend to use wide angle focal lengths in the confines of such a canyon. However, because I wanted to juxtapose the different colors and shapes of the sections of canyon wall along the narrow and twisting wash, I chose the long lens to compress the distance. Although I think the photograph creates a feeling that I’m positioned very close to the foreground rocks and the darker bit of canyon wall on the left, I was actually quite a distance back from this spot.
Details of the rugged cliffs and walls rising above lower Titus Canyon in Death Valley National Park.
Titus Canyon Road is one of the marvels of Death Valley National Park. It begins in high desert of Amargosa Valley near the town of Beatty and the ghost town of Rhyolite, winds over the summit of the Grapevine Mountains, drops precipitously into upper Titus Canyon, passes a number of historically interesting sites, passes through a very narrow and deep section in the lower canyon, and then suddenly emerges into the vastness of Death Valley.
In the lower section of the canyon, the wash becomes very narrow, passing through a twisty slot canyon and is, in places, barely wide enough for the one-lane gravel road. Here the walls of the canyon press tightly together and rise steeply for hundreds of feet. Some places are so deep that the sun rarely penetrates to the bottom.
Fortunately for the preservation of the canyon the road is horrible, at least if you are used to more civilized driving. It is a one-way road and the whole thing is gravel. Sections are in decent shape, but it other places the road passes over narrow and twisty sections next to precipitous drop-offs and then dives steeply into deep canyons. At times the route is closed after heavy rains or other conditions that make the route impassable.
Fortunately, the section that is perhaps the most impressive in many ways – the deep slot canyon near the bottom – is easily accessible by foot from Death Valley. After a short drive up to the canyon entrance on a gravel road to a parking area, you can enter the canyon on foot and walk up as far as you want. This photograph was made within the lower mile of the canyon during the late morning, when the light penetrates more deeply into the canyon and creates a glow on the canyon walls.
(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
