Tag Archives: north

Morning Fog, Autumn Forest

Morning Fog, Autumn Forest
“Morning Fog, Autumn Forest” — Morning fog darkens a dense autumn forest.

Sometimes there are photographs in (almost) your own backyard. As much as anyone else, I enjoy traveling to beautiful places to make photographs. But I can’t go to such places all the time, so it is fortunate that there are plenty of interesting things to see close by. In my area that might include the redwoods or the Pacific Ocean… or just a nearby rural area at the right time of year.

I made this photograph along a road that is far from famous. (Perhaps the only people who would know about it are those who pass by on their way to a nearby local park with hiking trails). But around here, in the San Francisco Bay Area, there are lots of little spots where trees grow thickly and where fall colors continue right on into December.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Winter Fog and Trees

Winter Fog and Trees
“Winter Fog and Trees” — Thick tule fog in a thicket of trees, Central Valley.

TWinter is the season for migratory birds in California’s Central Valley, and I try to get out there as often as I can. This region is also the site of extraordinary tule fog — frequently thick enough to make driving quite challenging. My ideal day of bird photography In the Valley starts with early morning fog that begins to thin after dawn. But sometimes the fog does not thin.

This was one of those persistently foggy days. I could hear birds around me, but I could rarely see more than a hundred feet or so into the murk, so bird photography was not happening. That’s my signal to revert to landscape photography, and fortunately the fog produces a moody and mysterious effect on the landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

“L” Station Entrance, Chicago

"L" Station Entrance, Chicago
“‘L’ Station Entrance, Chicago” — Entrance to a Chicago “L” transit system station.

We spent a few days in Chicago just before last Thanksgiving. You may wonder why a couple of Californians would choose to leave their 70 degree climate and travel the frigid Chicago at that time of year. It is a long story — but we enjoyed our visit and had a great time. No, it did not snow. Yes, it was cloudy and gray most of the time, but when the sun did peak through the clouds the light was beautiful.

We spent most of our visit within the confines of the downtown “loop” area, walking to all of the places we wanted to visit — Millennium Park, The Art Institute of Chicago, the Magnificent Mile, the Symphony and the Opera. By walking we got up close and personal with this urban city, including some distinctly non-tourist attractions like this entrance to the subway system.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Mountains, Sky, and Water

Mountains, Sky, and Water
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.

Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.

This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.