Tag Archives: north

Photographs: Nature, Photographs: Sierra Nevada

Shoreline and Reflected Ridge

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Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Telescope Peak, Lake Manly

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Telescope Peak, Lake Manly
“Telescope Peak, Lake Manly” — Panamint Range and Telescope Peak reflected in Lake Manly, Death Valley.

This photograph incorporates at least two elements that might surprise people unfamiliar with Death Valley National Park — a large lake and snow-dusted mountain peaks. Telescope Peak, the highest point on the Panamint Range summit ridge, rises just above 11,000′, putting its summit in the alpine zone. It is normal to see snow there during the winter months.

Lake Manly, the body of water reflecting the mountains, is a different matter. Its appearance is somewhat rare, occurring only in years of exceptional rainfall. Although this is now a dry winter in California, a big storm a year ago primed the pump, a monumental November storm re-formed the lake, and there was another storm around Christmas Eve Day. The broad but shallow lake forms on the playa of Badwater Basin, the lowest point in the continental United States.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees and Sandstone Cliffs

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Trees and Sandstone Cliffs
“Trees and Sandstone Cliffs” — Trees near the base of sandstone cliffs, Zion Canyon.

There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.

I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature

Islands, Fog

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Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.