Tag Archives: north

Chinese Houses Flowers

Chinese Houses Flowers
“Chinese Houses Flowers” — Purple Chinese houses wildflowers in the San Francisco Bay Area.

I have often wondered about the popular name of these “Chinese houses” flowers — what the connection could possibly be with houses from China. Regardless, they are among the spring wildflowers that grow in the oak forests and grasslands around the San Francisco Bay Area, including a trail through a park south of San Jose where I photographed these specimens.

Some flowers are pretty easy to photograph — they are colorful and have shapes that are easy to photograph. (Close-ups of some flowers are tricky due to the narrow depth of field at short distances.) I’ve never found the Chinese houses easy to photograph. It is difficult to find a plant on which all of the buds are in this colorful stage — usually some are not open or already turning brown. The plant often grows low to the ground among other distracting elements. Bright sun can create dark shadows and wash out details. So I was pleased to find this group in an areas of soft, shaded light and to find all of the flowers open and colorful.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Light and Dark

Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Morning Light, Big Sur Coast

Morning Light, Big Sur Coast
“Morning Light, Big Sur Coast” — Morning light, haze, and surf along the Big Sur Coast.

After a period of travel (Portugal, Spain, Belgium, NYC this time) it is always great to get back to photographing the natural world here in California. This week I heard that a couple of friends were in the Carmel area, less than an hour-and-a-half away, so we decided to meet up for some morning photography along the Big Sur coast. There’s no cell service where we were going, so we agreed to some coordinates on Google maps and set an early arrival time. I showed up, but couldn’t find them, so I made some photographs while waiting…

…including this one of the surf, morning light, and thin fog. As I photographed I noticed a couple of figures moving out onto the headland at the far right. I don’t usually include people in my landscape photography, but I’m not against it either, so I changed the framing a bit to incorporate them. It was only later in the evening, at home and working on photographs at my computer, that I zoomed in on the figures and realized that they are Franka and Dave, the friends I was searching for! (We did eventually connect, by the way.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alone in the Wilderness

Alone in the Wilderness, Death Valley
“Alone in the Wilderness” — Over a dozen morning photographers crowd one small section of sand dunes, Death Valley.

Yes, the photo title is obviously tongue-in-cheek. This is not really “wilderness,” nor is this a place where one is likely to be “alone.” But there is a lot to think about here. If you look closely — and you may need to click the image to get a larger view — you can count at least a dozen photographers spread out in this desert landscape that comprises a very small section of these dunes… and it is not at all the most crowded area.

You can diminish the number of people out there with you if you go in the off-season, avoid weekends, get up very early, and perhaps go there when the wind is howling. But most often you will not be anything like “alone” in this place. To be honest, one task for photographers here is figuring out to work around the crowds, assuming the crowds are not your intended subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)