Tag Archives: north

Two Geese, Reflection, Fog

Two Geese, Reflection, Fog
Two geese float on a winter pond in morning fog, Great Central Valley

Two Geese, Reflection, Fog. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two geese float on a winter pond in morning fog, Great Central Valley

As is typical, this morning in California’s Great Central Valley began in fog — for so think that it initially obscured almost all potential subjects, at least if they were more than a few yards off of the route. Many times we could hear large numbers of geese and cranes that were not visible in the fog, but eventually some would break off from the flock and fly over and past us.

The fog is among my favorite features of winter in this valley, especially in the lowland wet areas where it can be foggy on many winter days. The fog transforms the landscape in many compelling ways. By obscuring distant detail, subjects can sometimes be seen apart from their regular surroundings. It is possible to make photographs in locations that would have been far too busy in “good” light — the fog selecting obscures of mutes more distant subjects. Here I stopped in a spot where there were few geese at all, though those that were hanging out here we floating serenely on the surface of the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ben Is Watching

Ben Is Watching
A Brooklyn, New York wall

Ben Is Watching. December 21, 2015. Brooklyn, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Brooklyn, New York wall

I generally make it a rule to not photograph graffiti, though it is not quite a hard and fast rule. I almost never photograph a subject with someone’s vanity tag on it, and in a few cases when a larger subject as been compelling I have removed or defaced the tag in post. There are probably a range of reasons that one might write or scribble or draw on public and private property, ranging from a poor sense of social belonging to a desire to produce something like art — so the decision to show or not isn’t without context.

In this case, the wall seemed to be one that had become, likely by more or less popular agreement (or a concession?) a place where such public art is perhaps not only tolerated but also expected. While a simple tag doesn’t usually interest me, here there were layers of text and imagery that had been assembled over time and then modified by weather, wear, and perhaps later contributors. Eventually, the accidental juxtapositions seem to take on their own lives, as in this vignette featuring a worn dollar bill image of Benjamin Franklin, and oddly anthropomorphic red and white and green shape, bits and pieces of paint, and the underlying old brick wall. And, of course, this is all very temporary — and probably transformed or gone by now.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Joining the Flock

Joining the Flock
Ross’s geese descend through tule fog to join the flock

Joining the Flock. Central Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese descend through tule fog to join the flock

The drive to this location in mid-February was, in many ways, very typical. We were up before 4:00 am and quickly on the road in the darkness. An hour and a half later we turned on to the rural roads, and the first predawn color was coming to the sky — and, yes, it was still fairly clear. Soon, however, we began to drive through fog banks so thick that we had to slow, with visibility measured in feet. What had been a highway-speed drive quickly changed to a 15mph crawl as we watched intently for obstacles or other vehicles.

We arrived at our destination, still in very thick tule fog, and got out to get organized for photography.  As we drove a gravel road around the area we occasionally caught glimpses of small birds near the route, but the only evidence of larger birds was their distant cries. Eventually we arrived at a spot where we could hear more birds, and occasionally a few would fly close enough that we could see them momentarily. But they remained out of sight as we waited. Eventually a slight breeze began to shift the fog a bit and the flock became barely visible, though light from the rising sun produced a luminous glow. These five Ross’ geese dropped through the fog toward the flock below, with shapes that might make one think of angel wings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Sandhill Cranes in Flight

Two Sandhill Cranes in Flight A pair of lesser sandhill cranes in flight above California’s San Joaquin Valley

Two Sandhill Cranes in Flight. San Joaquin Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pair of lesser sandhill cranes in flight above California’s San Joaquin Valley

Near the end of the winter migratory bird season in the San Joaquin Valley, where we photograph these birds all winter, the birds seem to collect in ever larger number and become more and more active, especially by this late-February period. On this morning visit to a favorite bird photography destination we found tens of thousands of Ross’ geese, along with many white-fronted geese and others, plus huge groups of lesser sandhill cranes. They became active shortly before dawn and didn’t stop until we departed hours later.

I have photographed the sandhill cranes here on many previous occasions, but this turned out to be one of my best opportunities yet to photograph them in the air. Large flocks were on the ground on both sides of the gravel road on which we were driving, and if we stopped in the right spots they would fly almost directly overhead and they moved from spot to spot. These are beautiful birds, graceful in their gliding flight with striking red patches on their heads, and an instantly recognizable cry.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.