Tag Archives: oak

Winter Oaks, Morning Mist

Winter Oaks, Morning Mist
Winter Oaks, Morning Mist

Winter Oaks, Morning Mist. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist swirls around Glacier Point beyond the silhouetted branches of winter oak trees, Yosemite Valley.

This morning proved – yet again – that there is “always something to see” if I’m just out there looking. We had stayed overnight in The Valley the night before, following the opening reception for Yosemite Renaissance 28, the annual juried exhibit of work created by artists inspired by and working in and around Yosemite National Park. (It is a wonderful show and you should stop by the Museum Gallery in the Valley if you are in the Valley during the next few months.) After heading out for a late dinner with a group of other participants after the reception, we got to bed quite late and the idea of waking up well before dawn to photograph was not sounding as appealing as it sometimes can. It didn’t help that the weather forecast was for clouds and a chance of rain or snow.

I woke up at 5:30 and reset my alarm for the relatively late hour of 6:30, thinking that whatever photography there might be would be almost outside my door and realizing that sunrise would not be until after 7:00 a.m. I got up, quickly dressed and grabbed camera gear, headed out the door and started walking. In the pre-dawn light I could see that the clear areas of the sky were quickly diminishing and that clouds were ringing the Valley. I ended up in nearly deserted Cooks Meadow, where I made a few photographs of trees and cliffs and so forth. Then it started to rain lightly. I kept shooting a bit longer, but soon realized that I couldn’t really stay out there since I had not thought to bring anything waterproof for me or my gear. I retreated to a nearby shuttle bus stop and found shelter under its roof. Now of all the places to look for aesthetic inspiration in the Sierra, a Yosemite Valley shuttle stop might be very close to the least likely. However, finding myself in one and with nothing else to do, I began to look around to see what I could see from this small sheltered area. First I noticed a large granite face to my east that was becoming reflective in the light rain, and I shot a few photographs in that direction. Then I looked up through the branches of dormant oak trees toward Glacier Point and saw clouds swirling about it and nearby pinnacles and trees, occasionally broken enough to allow some of the sunrise light to create a glow behind the mist. And there you have it – the first photograph I have made from under the roof of a shuttle stop… ;-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red and Yellow Leaves, Sandstone Wall

Red and Yellow Leaves, Sandstone Wall
Red and Yellow Leaves, Sandstone Wall

Red and Yellow Leaves, Sandstone Wall. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brilliant red and yellow autumn leaves of oak and red leaf maple against a backdrop of layered and fractured sandstone, Zion National Park

I suppose that I have to be honest and admit that the main reason for making this photograph was the absolutely ridiculous and gaudy colors in this little bit of red rock canyon. You can find red trees in this area, and you can find yellow trees, but it isn’t often that you (or I, anyway) find this combination of leaves, packed so tightly together, and against the intense color of the sandstone wall.

We had probably driven past this spot a few times before we finally came back and pulled over and photographed it. I can’t speak for the others in my group, but in some ways it is almost a bit embarrassing to point a camera at something so colorful and photograph it… just because it is colorful. Compositionally it was a very tricky thing to shoot. The only feature that brings much relief to the shades of red, yellow, and orange is the single arching crack leading up from right to left.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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One Green Leaf

One Green Leaf, Capitol Reef National Park
“One Green Leaf” — One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations about which I had and still have the most to learn is Capitol Reef National Park. My encounter with this park, in 2012, was a bit superficial, though my excuse is that we were only passing through on our way to another place. All I saw was the short highway drive that passed through the park via the Fruita District — the rest of the park remained a complete mystery. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that I want to return.

I made this photograph in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and headed into the canyon while the temperature still hovered around freezing. There was no one else there, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.