Tag Archives: one

Water’s Edge

Water's Edge
“Water’s Edge” — Blue-green water and surf meet the edge of the continent, Big Sur Coast.

I called this “Water’s Edge,” but I could also have called it “Continent’s Edge.” Beyond and above this little vignette of sand and rocks and water and foam lies the entire Pacific Ocean, and behind it lies the North American continent. The location is some likely-nameless spot along the Pacific Coast Highway as it passes through the Big Sur region of Central California.

I had stopped to consider photographing something else when I happened to walk close enough to the edge of the drop-off to see all the way down to the small, rocky beach. I spent a few moments watching and photographing the constantly changing patterns where the blue-green water meets the beach.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Coastline, Fog

Curving Coastline, Fog
“Curving Coastline,Fog” — Successive ridges drop to the Pacific Ocean in fog along the rugged Big Sur Coast.

The Big Sur Coast seems to strtch on forever, with rugged mountains dropping precipitously into the Pacific Ocean. Ridges are separated by small valleys, and a drive along the Pacific Coast Highway often follows a pattern of turning inland to cross a valley and then turning toward the ocean to cross another ridge. And from high on these ridges the views are usually spectacular, taking in great expanses of that coast and Pacific Ocean panoramas.

A combination of characteristics makes this area quite “photographable” outside of the favored very early and very late hours. The coast trends from northwest to southeast, so as midday approaches the sun can be right above the coast, providing backlight that highlights the receding ridges. (A bit later its light reflects off the water.) And often the morning fog has cleared but left a bit of haze behind, and on the best days it glows luminously.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Headlands, Clearing Fog

Headlands, Clearing Fog
“Headlands, Clearing Fog” — Headlands drop precipitously into the Pacific Ocean as fog thins in the distance along rugged the Big Sur Coast.

Although I have visited and photographed the Big Sur Coast for decades, I find new subjects or new ways to see old subjects every time I go. However, I have a confession to make about this particular subject. I go back to it on almost every visit and continue to photograph it despite there being quite a few previous versions in my archives. I think I do this partly because the conditions change (here it is almost backlit and the distant fog is layered), and partly just because I find this feature so intriguing. On a coastline full of steep precipices dropping into the sea, this one stands out.

I was down there again in mid-August. As is often the case, I decide to go based on the weather forecast. This time it called for somewhat persistent fog along the coast, and I was expecting to be able to work with that murky subject. Imagine my surprise, after driving through truly dense fog near the Salinas Valley, when I arrived at the coast to find it virtually clear!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wood and Stones

Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.