Tag Archives: one

Winter Surf and Coastal Bluffs

Winter Surf and Coastal Bluffs
Winter surf rolls in beneath steep shoreline bluffs along the rugged Big Sur coast of California.

Winter Surf and Coastal Bluffs. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf rolls in beneath steep shoreline bluffs along the rugged Big Sur coast of California.

Although I have been down this section of California’s spectacular coast in the past few weeks, this photograph comes from a few years ago — in a very different time when many of the things causing tumult in our world were almost inconceivable. Among them, back then the idea that a pandemic might change our attitudes about traveling to such places was not even on our radar. Let’s hope that we can return to a world more like that one soon.

I think of this as a somewhat generic photograph of the Big Sur coastline — not because it isn’t a spot of great beauty, but because such places are everywhere along this part of the western edge of the continent. The sun was out on this late winter day, but storms out in the Pacific had brought impressively large waves, raising a thin layer of sea spray along the edge of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pacific Sky

Pacific Sky
“Pacific Sky” — High clouds above the Pacific Ocean are harbingers of an approaching weather system.

Trips into the field to photograph have been difficult during the past few months. Aside from a fair amount of local photography — literally in the neighborhood — visits to more far-flung locations have been rare. I managed to get to the Sierra a couple of times. I recently went looking for migratory birds. And a week ago I did a down-and-back drive to the upper Big Sur coast, going just a bit further south than Lucia. I did not make a lot of photographs, but I stopped for a few… and it was just good to get out and photograph almost as if the world was normal again. (It most emphatically is not normal yet, but there are some reasons for optimism.)

I had “interesting” weather on this visit — which, of course, is the best kind of weather along the coast. Perfect blue sky days are, to be honest, a bit boring. On this morning I raced the lead clouds of an approaching Pacific weather system as I drove south, trying to stay just ahead of the more dismal light behind the actual cloud shield. I stopped here for this beautiful layer of offshore clouds, put on a wide-angle lens, and just took it all in.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sur Point Lighthouse, Winter

Winter surf below Sur Point and the Sur Point Lighthouse.

Sur Point Lighthouse, Winter. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter surf below Sur Point and the Sur Point Lighthouse.

As happens from time to time, I made a series of photographs of this subject on this winter day. One advantage of digital photography is that it is possible — and useful! — to make quite a few exposures of transient subject like water and clouds whose precise appearance is difficult to predict and for which precise timing is almost impossible. While I’ve seen photographers make hundreds of exposures of really active subjects such as moving water, this one wasn’t quite so difficult — just a series of waves moving up onto the beach and the varying qualities of the drifting spray. My first inclination was to share a different photograph from the set, which I did perhaps a few weeks ago. But now, in looking at the files more closely, I’ve changed my mind and I think I prefer this one.

At any time of year the light along this section of the California coast can be quite interesting. Because the coast doesn’t run on a perfect north-south line, instead angling to the east as you head south, for much of the day offshore features are backlit to a greater or lesser extent. (The sun also reflects off the ocean’s surface in wonderful ways, even at midday when the sun is directly south.) This meant that the rocky shape of Sur Point was deeply backlit, and exposing for the shadow details would risk losing details in the rest of the scene — so I decided to treat it as more of a silhouette. (Some details are visible, though hard to see in a web version.) In the end, that nearly black form may help enhance the visibility of the mist and spray being blown from the big winter surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Urban Forest Spring

Urban Forest Spring
Spring leaves on a tree in front of San Francisco’s One Front Street building.

Urban Forest Spring. © Copyright 2012 G Dan Mitchell – all rights reserved.

Spring leaves on a tree in front of San Francisco’s One Front Street building.

Today’s photograph temporarily climbs out of the sandstone valleys and slot canyons of Utah to enter a different kind of canyon in the urban landscape. This striking building is found in downtown San Francisco, and I’ve photographed it quite a few times during my street photography walks in The City. Unfortunately, those are on hold right now due to the lock-down, so I mined this one from my old raw file collection.

While I don’t approach photographing the natural landscape and the city in exactly the same way, there are more connections than might seem to be the case at first. I look for shape and line in both cases, and I consider how things are juxtaposed in both landscapes. And here, as in essentially photography, light is a key factor. One thing that is a bit more present in urban photography — and which is a source of interest to me — is the way that reflections play into the compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.