Tag Archives: orange

Maple Leaves and Sandstone

Maple Leaves and Sandstone - Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park
Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Maple Leaves and Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Wind is not usually the photographer’s friend, at least when the photographer is shooting natural subjects that include foliage. Later on this trip we were stymied by strong winds when shooting in the Escalante River Canyon, as the trees and leaves were being whipped around in the gale. But the same winds that create these problems – and I was experiencing some of them with tree photographs on this day, too – also bring down the autumn leaves and in the right conditions can create a thick carpet of the wild fall colors.

This photograph, like quite a few I have shared recently, was made in the bottom of a wash where leaves tend to collect, but by means of water flow and, as here, due to the wind. These maple leaves ranged in color from yellow-gold through orange to almost red, and here they littered the rocks in the bottom of the channel. Like spring flowers, these colors are a fleeting thing, and the leaves on the ground quickly blow away or turn brittle and brown.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Color, Canyon Walls

Autumn Color, Canyon Walls - Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

Autumn Color, Canyon Walls. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)

The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Sunset Clouds

Geese, Sunset Clouds
Geese, Sunset Clouds

Geese, Sunset Clouds. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A flock of geese passes above sunset-lit clouds over northern California

I made this photograph on what turned out to be, no surprise to me, my last migratory bird photography day of this season. (And a productive season it was!) In April the climate begins to shift strongly toward spring conditions in California and in this drought year that meant that not only did it warm up, but places that might otherwise remain wet were already drying out. I started the day at a wildlife refuge where I frequently photograph the birds, especially Ross’s Geese, and was fortunate to begin the day with some classic light Central Valley fog that gradually cleared as the morning wore on. After shooting for a few hours I came to that midday time when migratory bird photography isn’t as great as it is at the edges of the day – a time when one might think about how to kill the next few hours until the light again becomes conducive to photography. I spontaneously decided to not spend it waiting here but to instead drive a good distance north to another place I’ve photographed in the past but which I hadn’t visited this season.

I took my time on this long drive. The route itself requires more than an hour of driving, but a few side excursions added considerably to that. I pulled off the highway to investigate one small town that I hadn’t been through before, and I drive a ways up a side road that crosses the Diablo Range heading west, finding the green spring grasses and some early wildflowers. Back on the main highway, I continued north to an areas where I have photographed cranes and other birds in the past, but in this dry year all of the water was gone and agriculture work seemed to already be underway. I decided to try another wildlife reserve that isn’t far away, and it turned out to still be relatively wet – but the large flocks of birds that I could count on back where I started my day seemed to not be here. I continued my search, eventually spotting the tell-tale white “cloud” that could only mean that a flock of geese was busy in a field a ways to the north, so I quickly drove over there to find a very large flock of snow geese, which I don’t generally see further south. After sunset, this flock of geese flew high overhead in the waning twilight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Leaves, First Light

Aspen Leaves, First Light
Aspen Leaves, First Light

Aspen Leaves, First Light. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

First morning light on aspen trees and fall foliage, eastern Sierra Nevada, California

This past fall I had exactly one day to photograph aspens in the eastern Sierra Nevada. This was a bit odd for me, since I usually spend quite a number of days chasing fall aspen color up and down the east side of the range. But this year my target was a bit further away in Utah, and we merely paused for an extra day on the “east side” on our way to that other state. Fortunately, we hit great conditions, in terms of good aspen color and fine weather that didn’t prevent us from getting up to those trees.

Very early in the morning we headed up to an area that I have photographed many times. There are a couple of iconic photographic subjects at this location, but I mostly got them out of my system some years ago and now I look for somewhat less obvious subjects when I go here. I began by shooting some trees near the outlet stream of a lake, with early morning light behind the trees. After working that tricky but beautiful light for a while, I decided to go around to the far side of the lake to where a large stand of small but densely packed aspens stands at the base of a hillside. I got there before the sun came to this spot, so I quickly schlepped my gear up the hill a ways and into the end of the grove, setting up just before the sun arrived. Before the sun’s rays hit the tree, everything had a distinctly blue tone. As the edge of the shadow arrived, the aspen leaves began to glow more and to cast shadows on the trees in the background. These shadows quickly transitioned from soft and subtle to quite contrasty and sharply defined in a matter of seconds. This photograph was made just as the sunlight arrived but before it became intense, and the soft shadows of the leaves on the slender background trunks lasted just a moment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.