Tag Archives: pattern

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Reflections, Utah

November 25, 2012 G Dan Mitchell Leave a comment

Reflections in the surface of a slot canyon stream, Utah

Among photographers that I know, finding ways to photograph the surface of flowing river and creek water is almost a bit of a game or even an obsession. There is something very appealing about either stopping the motion of the water, or about using longer shutter speeds to let the water blur, revealing the smooth patterns of flowing water and the interesting colorations that we can otherwise easily overlook. People I know seem to have developed their own little idiosyncratic tricks for working with this subject – special shutter speeds, an eye for particular types of reflections, and so forth.

The Utah canyons are a prime place to look for interesting reflection patterns, at least in those canyons in which the water is flowing. This narrow desert canyon contained a small, burbling steam – just enough water to be interesting and dampen boots and pants legs, but not so much as to impede progress up the canyon or make shooting difficult. The trick is to look beyond the apparent surface of the water and instead learn to look for and see the reflections instead. Part of this is looking for interesting flow and ripple patterns, such as the bit of faster moving water moving diagonally across the frame in this image. Another part is to anticipate and then find sources of reflected colored light. This photograph includes several: blue from overhead sky visible above the center of the canyon, purple and burgundy from shaded cliff faces, intense orange reflected from sunlit sandstone, and bright yellow-green from cottonwood and box elder trees.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Drakes Bay, Fog

August 24, 2012 G Dan Mitchell Leave a comment

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

Photographs: Desert, Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Three Towers, Morning

July 26, 2012 G Dan Mitchell Leave a comment

Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.

Photographs: Abstract, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Reflective Building

July 23, 2012 G Dan Mitchell Leave a comment

I photographed the exterior of this building while walking in the financial district of San Francisco in the early evening. I was mainly shooting street subjects with a 50mm prime, but fortunately I had a telephoto zoom in my bag that I could use to isolate this section of the building from its surrounding context. In addition, I decided to take some liberties with the image in post, including some serious perspective adjustments that brought the vertical lines into nearly parallel alignment.

When walking around in an urban environment like this one, it is easy to focus on the grit and “reality” and noise and all the rest. But if you look past that you can find some astonishing images in this environment, some of which are quite abstract and perhaps border on hallucinations. This is a building – that is fairly obvious. But what in this photograph is actually the building? Not much. The thin, darker vertical lines are the frames around the window glass, as are the even thinner diagonal lines running upward from left to right. If you look closely you can see a few bits and pieces of what is inside the building, mostly in the form of interior lighting. But the main portion of the image is not really the building at all, instead consisting of warped and distorted forms that are the reflections of its surroundings, reflected in its glass surface.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tag Archives: pattern

Canyon Reflections, Utah

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Three Towers, Morning

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Reflective Building

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.