Tag Archives: photo

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky
Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of a flock of Ross’s geese taking flight in dusk sky above the San Joaquin Valley, California

This is another example of what I’ve taken to referring to my “blurreds in flight” photographs. (Yes, a bad pun on the common subject of “birds in flight,” also known as “bif” photographs.) Very early morning or dusk seem like good times to experiment with this, as the very dim light often pushes the ability of photographer and gear to continue to shoot as ISOs rise, apertures enlarge… and eventually one runs out of maneuvering room. Just lower that ISO and let the birds blur!

But that’s not really why I do these. While I suppose that I’m just as interested in trying to produce very sharp images of birds frozen in flight by high shutter speeds and accurate autofocus, I sometimes feel that this more clinical approach isn’t the only way to capture or express the qualities of these animals and what I can observe of their lives. In a sense, the still camera “lies” about what we can actually see of these birds when we are there and watching them. In low light, often observing from a distance, when a group of Ross’s geese suddenly takes flight in a wild maelstrom of honking and flapping wings, we really cannot see all of the specific details of each feather and the impression we have is more often one of wild motion and surprise. While I don’t think a photograph can ever fully or accurately depict this, allowing the motion to become visible by using slow shutter speeds might evoke a sense of these animals that the razor-sharp, stop-action photographs might miss.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree Covered Hillside, Cliff

Tree Covered Hillside, Cliff
Tree Covered Hillside, Cliff

Tree Covered Hillside, Cliff. Zion National Park, Utah. October 14, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early autumn afternoon back-light on high country trees and shadows on a sandstone cliff face, Zion National Park

Perhaps surprisingly, trees were a big draw for me during my several visits to Zion National Park in October last year, and not just the trees that were getting their fall color. The junipers and pines are also intriguing, especially when backed by sandstone or lit from behind by low angle light as in this photograph.

This area near the eastern boundary of the park has intrigued me but also puzzled me each time I have stopped there. Nearly is a significant and named park feature that seems to be the main reason for stopping. It is an impressive geological feature… but, for the life of me, I have not been able to find a way to make an interesting photograph of it. Yet each time I passed by, I stopped and looked and pondered and (most often) did not photograph it. However, with each successive stop I began to pay more attention to other features in this spot: the big cliff on the other side of the valley on which colors fade from gray-white to red, the many trees that stand with enough space between them to allow back-light to pick them off individually, and more.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Six Ross’s Geese in Flight

Six Ross's Geese in Flight
Six Ross’s Geese in Flight

Six Ross’s Geese in Flight. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small flock of six Ross’s geese in flight against the sky in golden hour light, San Joaquin Valley, California

Late on this January afternoon – more like early evening perhaps – we were staking out a small flock of Ross’s geese that had parked themselves in a nearby pond. There were not that many of them – nothing like the flocks of many thousands that we have watched on some other evenings, when they gradually depart in small groups over a long period of time, or the very large group we saw earlier this year that mostly just moved around in a pasture near where we were shooting. Each time a small sub group departed on this evening, they created a noticeable decline in the number of birds left behind.

However, they somewhat compensated for their small numbers by means of their more “photographable” departure path, at least in some cases. Rather than flying away from us, some instead flew from left to right in front of our position and some of them even did a few laps overhead before actually leaving. This group of six was among those most obliging geese. They had departed to the right, looped back around to the left, and then flew across in front of us a second time, all the while taking a fairly low flight path. As this group passed by I watched carefully though the viewfinder to try to catch them in an instant when none of them obscured the others in the flock, and I caught such a moment here with the added bonus of a bit of slightly golden late afternoon light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.