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White Rim, Colorado River Valley

White Rim, Colorado River Valley
White Rim, Colorado River Valley

White Rim, Colorado River Valley. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Colorado River winds through rugged country beyond the White Rim, Canyonlands National Park

On our second visit to Canyonlands National Park (the first had been back in April of the same year, when we briefly visited the “Island in the Sky” highlands of the park) we were somewhat stymied by less than astonishing light. Overall the skies were sort of partly cloudy, but that “partly” portion seemed to line up almost perfectly with where we were, and from afternoon on a large mass of clouds sat above us and to the west. For this photograph, that might have actually been a bit of a blessing, in that trying to photograph the tremendously intricate and detailed landscape visible from the “Grand View” overlook in full sun at this time of day would have been challenging, to say the least. This landscape, lit that way, would have contained some extremely bright features along with very deep shadows in the canyons, and the result probably would not have been all that great. The clouds, however, somewhat mute the contrasty light, making the bright areas a bit less bright and allowing diffused light down into areas that would otherwise be dark. At least there was a bit of light on the buttes in the far distance at the upper edge of the frame.

This scene is one of those “iconic” views that, well, everyone photographs. Generally, I’m not that much about photographing icons. In fact, often when I go to places like this I try to not know what the iconic shots are or where to find them, preferring to instead just sort of guess, follow hunches, poke around, and see what I discover. This may not be the most effective way to find the “cool stuff” in a new location, but it does let me start to develop my own relationship with a landscape from the very beginning. So when we went into Canyonlands the first time I basically had almost no idea what I was “supposed” to see and photograph. (For example, I had no idea that iconic “Mesa Arch” is in this park – drove past the road to it and said, “Ah, that’s where Mesa Arch is!” And, no, I did not photograph it.) However, as we wandered about and looked at stuff, we somehow managed to end up at several of “those places” – especially the Green River overlook (which I now recognize as one of the iconic views of this park) and Grand View. In addition, I’ve often advised others to not eschew icons in certain situations. One, of course, is when you find yourself in front of such an icon and have never photographed it before. But another is when one visits a location for the first time and does not yet have a deeper knowledge of the place. For example, I’ll occasionally get asked by first time visitors to Yosemite or Death Valley (places where I shoot a lot) about where the “secret spots” are that not everyone shoots. I tell them that getting to know a place to such an extent that you can find, “see,” understand and photograph the non-iconic subjects is not a reasonable goal for a first visit. Often that takes many visits, perhaps in different seasons, and the time to let the place “get under your skin” to the point that you have a real feel for it.* But everyone has to start somewhere, and photographing icons is a fine place to start when you are new to a place. They are, after all, usually quite spectacular spots – as I say, “They are icons for a reason.”

*For my part, during my first year photographing in Utah I spent over 30 days there during three long visits. It wasn’t until well into the third visit that I really began to feel that I was moving past the “Oh, wow, Utah!” state and starting to really understand the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Leaves, First Light

Aspen Leaves, First Light
Aspen Leaves, First Light

Aspen Leaves, First Light. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

First morning light on aspen trees and fall foliage, eastern Sierra Nevada, California

This past fall I had exactly one day to photograph aspens in the eastern Sierra Nevada. This was a bit odd for me, since I usually spend quite a number of days chasing fall aspen color up and down the east side of the range. But this year my target was a bit further away in Utah, and we merely paused for an extra day on the “east side” on our way to that other state. Fortunately, we hit great conditions, in terms of good aspen color and fine weather that didn’t prevent us from getting up to those trees.

Very early in the morning we headed up to an area that I have photographed many times. There are a couple of iconic photographic subjects at this location, but I mostly got them out of my system some years ago and now I look for somewhat less obvious subjects when I go here. I began by shooting some trees near the outlet stream of a lake, with early morning light behind the trees. After working that tricky but beautiful light for a while, I decided to go around to the far side of the lake to where a large stand of small but densely packed aspens stands at the base of a hillside. I got there before the sun came to this spot, so I quickly schlepped my gear up the hill a ways and into the end of the grove, setting up just before the sun arrived. Before the sun’s rays hit the tree, everything had a distinctly blue tone. As the edge of the shadow arrived, the aspen leaves began to glow more and to cast shadows on the trees in the background. These shadows quickly transitioned from soft and subtle to quite contrasty and sharply defined in a matter of seconds. This photograph was made just as the sunlight arrived but before it became intense, and the soft shadows of the leaves on the slender background trunks lasted just a moment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beach and Rocks

Beach and Rocks
Beach and Rocks

Beach and Rocks. Pacific Coast Highway, California. June 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky beach near Pescadero, California

Last week I finally was able to get out and do a bit of landscape photography along the California coast south of San Francisco. (Various other obligations and activities have minimized time in the field recently, and may continue to do so for a few more weeks – but then… lots of time “in the field!”) This area is one of my quickest “gotta get out and shoot” locations, as I can be there in less than an hour, and “there” is one of the most spectacular coastlines I can imagine, ranging from calm and peaceful to towering cliffs and raging surf.

On this visit, things were relatively quiet – nothing like the winter surf of a few months ago. My hope was to find a coastal location in that border zone between fog and sunlight, where interesting and variable things can often happen with light. Starting from the Santa Cruz area, where it was almost perfectly clear, we headed north while keeping a watch on the fog bank hanging just off shore and appearing to get closer to the coast to the north. Eventually, near the Pigeon Point lighthouse, it looked like we might get to the point where the fog and the coast converged, but as soon as we arrived the fog pulled back a bit. In this late afternoon photograph, the sun was low enough that its light was beginning to be somewhat softened and warmed by passing through the thin layer of mist and fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows
Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.