Tag Archives: point

Pacific Shoreline, Point Reyes

Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Surf, Rocks, Clearing Fog

Surf, Rocks, Clearing Fog
Morning fog begins to clear over rocky islands along the Pacific coast.

Surf, Rocks, Clearing Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning fog begins to clear over rocky islands along the Pacific coast.

One of my habits is, when possible, to head for the Pacific Coast sound of Monterey early in the morning, especially on days when I think that there will be coastal fog and it will likely clear at some point during the morning. The thickest fog can be dramatic, but it can also kill the light — but when it starts to clear and the light begins to come into the scene, the effects can be glorious. The fog may glow, colors on the water and hills can be enhanced, and views of the sky above the fog begin to emerge.

On this late-March morning I decided to make a stop at Point Lobos, where a big, early-spring surf was making things interesting. From a great distance I photographed this scene with a long lens as big breakers swept over the edges of the rocky islands and as the fog began to thin and reveal blue sky above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon and Mountains, Morning

Canyon and Mountains, Morning
A Death Valley canyon and mountains, backlit by early morning winter light.

Canyon and Mountains, Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Death Valley canyon and mountains, backlit by early morning winter light.

I have a bit of a long relationship with this spot in Death Valley. I stop there on almost every visit to the park, typically either very early in the morning (arriving before dawn) or else for last light in the evening. I’ve been there when the wind was strong enough to make it difficult to walk, when it was unbelievably cold, on still warm days, in blah conditions that made me ask “why?,” — and on one memorable occasion I had to turn back because there was too much snow!

As a photographic subject this landscape is greatly dependent on conditions of atmosphere and light. in “normal” light in the middle of the day it is a gigantic vista but rarely a compelling photograph. But early in the morning very interesting things can happen, especially when the backlight is strong and there is just enough haze in the air to make the atmosphere glow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lonely Road, Winter Sunrise

Lonely Road, Winter Sunrise
Colorful sunrise clouds spread across the winter sky above a road through desert mountains, Death Valley National Park

Lonely Road, Winter Sunrise. © Copyright 2012 G Dan Mitchell – all rights reserved.

Colorful sunrise clouds spread across the winter sky above a road through desert mountains, Death Valley National Park

It is possible to find solitude, even in national parks, though it may take a bit of effort. I was completely alone in this remarkable place to experience an utterly beautiful sunrise. All it took was getting up an hour and a half before sunrise, heading up into desert mountains in the predawn darkness when the temperature barely cleared twenty degrees, and driving to the end of a gravel road that crosses the crest of a desert mountain range.

I made the photograph on the same morning that I made several others that I have recently shared. The sky and the light were astonishing — broken lines of thin clouds spread across the sky before dawn, and they lit up in the first light, casting pink light across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.