Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.
This photograph was made along the Big Sur coastline roughly in the area between the Rocky Creek and Bixby Creek bridges, about as far south as we managed to get while wandering around before a 8:00 p.m. dinner reservation back in Monterey. (Hey, it was my birthday!) The Peninsula extending into the Pacific in the upper section of the frame could be any of probably hundreds of similar peninsulas where the steep hills of the Big Sur coast drop to meet the ocean – but this one happens to be Rocky Point. The foreground sea stack could be any of thousands (or tens of thousands? I see perhaps a dozen or more in this scene alone…) of similar features found almost anywhere you look along this coast.
The light was both interesting and challenging. In most cases, I would rather try to photograph this interesting, foggy atmosphere than shoot perfect blue-sky conditions. (The latter can occur, though not as often as photography might suggest! Fog is more common.) It was very late in the day, probably around 7:00 p.m, and the sun was low and mostly hidden behind the off-shore fog bank. Here and there the fog backed off a bit from the shoreline or thinned a bit, and slightly more light appeared. The sea stack was in one such spot, and around and beyond the point there is also a bit more light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening fog comes in as the rugged Big Sur coast stretches north from near Soberanes Point, California.
Talk about photographic geekiness – we ended up making photographs on my birthday! Because of a variety of factors, this turned out to be a bit of a low key birthday this year – despite some earlier plans to do all sorts of wild and crazy things. (Completing the JMT or going to Alaska will perhaps wait a bit… ;-) After a quiet and lazy morning we decided to head down to the Monterey area for a birthday dinner, which turned out to be quite nice by the way. (Thanks, Patty!)
Since we arrived a few hours before our dinner reservation. After stalling around a bit, thinking about this and that option, we decided to do the usual, obvious thing and head south on the Highway 1, the “coast highway,” into the upper portion of the Big Sur coastline area. While it is a very familiar area and one I visit a lot, it is never the same twice – all of the variables of light and atmosphere and season and weather are in play and you almost never know quite what you’ll find. On this early evening, the most important factor was that the edge of the ocean fog was positioned very close to the shore. This meant that sometimes it extended just a bit inland, creating light that ranged from slightly luminous to gray and murky, while in other areas it was just offshore, allowing light to hit the coast and even to light the surface of the ocean a bit. Here at the cove where the creek comes down Soberanes Canyon to meet the ocean, we found one of those boundaries – quite gray along the immediate coast in the distance, sunlight on the bluffs and hills at the right, and that wonderful boundary light in between. And above that, the barely perceptible difference between the soft clouds of fog and the light blue of the late-day sky.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.
I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.
Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore.
This little late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I had driven up to San Francisco, where my wife was to be engaged in a music performance that would take the full afternoon and evening, with the plan being to drop her off and then drive on over the Golden Gate Bridge and out to Point Reyes. Point Reyes is often a cold and windy place, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog or at least see the fog bank lurking just offshore until the evening. With this in mind, it seemed like it might be a good time to either visit the Limantour Beach area or else hike out towards Drakes Bay.
I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out on the trail towards Drakes Head, thinking I might be able to make it there for late afternoon light. As soon as I started hiking I began to see the telltale puffs of incoming fog clouds above me, and soon I came around a bend in the trail to see that the fog had already moved in to my west and over Drakes Bay. Fortunately, I like for, and in most cases I would rather photograph in “interesting” weather than in so-called perfect blue sky weather. At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.
In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
