Tag Archives: print

Trees, Crack System

Trees, Granite Slabs
Trees, Granite Slabs

Trees, Granite Slabs. Yosemite National Park, California. September 9, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park

It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.

So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to  let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Agave Plants

Agave Plants
Agave Plants

Agave Plants. Huntington Botanical Gardens, San Marino, California. November 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Agave plants, the Huntington botanical gardens

We spent the Thanksgiving Holiday in Southern California — and once we finished the Big Eating Day Celebration, we did other things. Well, OK, we ate more, too. Among those other things was a trip to the Huntington Library, etc. in San Marino, a place that we had not been to before. (The “etc.” above acknowledges the ridiculously long name of the place, a name the mentions galleries, library, and gardens. I wonder if people in the area perhaps just call it “The Huntington?”)

There was lots to see there. We started by focusing on art, both old and new — including an exhibit of photographs — and then moved on to lunch, followed by visits to a bunch of gardens: Chinese, Japanese, tropical, and desert. I wasn’t there primary for photography, but since I had a camera with me I did make a few photographs, including this close up of the beautiful leaves of this plant, whose form is almost always intriguing.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Ridge, and Haze

Forest, Ridge, and Haze
Forest, Ridge, and Haze

Forest, Ridge, and Haze. Point Lobos State Reserve, California. October 10, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Morning haze mutes the details of forested coastal ridges along the California coast

Yes, yet another of the December black and white photographs — inspired by all of the black and white “challenge” posting going on right now. This photograph comes from 2010 when I made one of my frequent visits to the Point Lobos area along the California coast south of Monterey, an area that I have visited for decades. The typical focus of those visits is the shoreline itself, which is very spectacular here and which produces a wide range of moods throughout the year.

The photograph was made at Point Lobos, but much of what you see is not actually in this state park. The foreground forest is, but the high coastal hills rising beyond are outside the park. As beautiful as the ocean is, there is a lot to see if you turn your eyes in the opposite direction, too! On this morning there was high, thin cloudiness along with a great deal of backlit atmospheric haze — perhaps my favorite conditions for photographing scenes like this one! The haze glows in the backlight, and it mutes the smaller “busy” features of the landscape, allowing the larger forms to be seen more clearly… and perhaps evoking a sense of mystery.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Green Building and Tracks

Green Building and Tracks
Green Building and Tracks

Green Building and Tracks. Mare Island Naval Ship Yard. March 3, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Ambient light floods the side of a building and old railroad tracks with green-tinted light, Mare Island Naval Ship Yard

A friend recently shared a photograph of a bit of curving railroad track, and I recognized it as being the same track that appears in this photograph from seven and a half years ago. I went back to look it up to share it with him, and in doing so I realized that I seem to have not shared it previously — so I’m rectifying that with this posting!

I have been photographing this location at night for over a decade now. I’m pretty certain that my first visit was back in 2003, when I happened to see an announcement of an event sponsored by The Nocturnes the San Francisco Bay Area night photography group. I had seen photographs made at night, of course, but it wasn’t anything that I had ever done, so I showed up. I was quickly hooked, especially when it comes to photographing urban and industrial areas in ambient light. This photograph is fine example of what attracts me about that light. If you were there in person, you would not really see anything quite like this — it was so dark that most of the details would be lost in shadow, the intense colors would be invisible to your eyes, and the only real details would be on the small lighted wall in the distance. But the camera can see what the eyes cannot. Here that includes not only the details in shadow areas, but also the wild colors that are produced by artificial lights.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.