Tag Archives: range

Shoreline Reflections, Trees and Rocks

“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

During peak snow melt many Sierra Nevada lakes overflow and flood surrounding meadows and forest. Although the water level was lower at the end of June when I made this photograph than it had been three weeks earlier during my first visit of the year, many areas in the margins of the lake were flooded. (This, of course, makes the mosquito population very happy – and human visitors less so!) The early morning sun back-lit these closely spaced trees and the rocks ringing this quiet flooded area along the shoreline.

I have visited this lake for many years. I’ve long been intrigued by this particular spot, where flat granite slabs line the shoreline, allowing the lake to expand and contract across shallows as the season progresses. Later in the season this spot can be dry, but early season in this wetter-than-usual year the water flooded this small pool and what might otherwise be shoreline trees were on a rocky peninsula. Those trees have been a subject for other photographers— being aware of this I wanted to avoid a photograph that imitated their beautiful work. I arrived in the early morning, when the air was still and cool and the water smooth. I walked about a bit and just looked, then came to this spot, where the complex patterns of the trees and their reflections in the water fill the frame, creating for me a sense of stillness and calm and quiet.

This photograph was a prize winner in the Yosemite Renaissance 2013 show in Yosemite Valley. Prints are available. Email me and/or see the Sales link at the top of this page.

This photograph is the subject of one of my “Photograph Exposed” posts, in which I share more of the story behind the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Cascade, Afternoon Light

Cascade, Afternoon Light
Cascade, Afternoon Light

Cascade, Afternoon Light. Yosemite National Park, California. June 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A back-country creek cascades across granite in afternoon light reflected from nearby rock faces, Yosemite National Park, California.

In places where a fast-moving stream drops rapidly down a glaciated granite slope (such places are found in various locations in the Yosemite high country) and the late afternoon sunlight reflects on the far side of the stream, the water can pick up the golden color of the reflected light. In this photograph I found a standing wave in the middle of turbulent section of water, and I positioned myself so that the reflected light was directly opposite my location.

G Dan Mitchell Photography
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Clouds at Last Light – Badwater Basin and Panamint Range

Clouds at Last Light - Badwater Basin and Panamint Range
Clouds at Last Light - Badwater Basin and Panamint Range

Clouds at Last Light – Badwater Basin and Panamint Range. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.

In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)

I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures

keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern

Dusk Clouds, Badwater Basin Salt Flats

Dusk Clouds, Badwater Basin Salt Flats
Dusk Clouds, Badwater Basin Salt Flats

Dusk Clouds, Badwater Basin Salt Flats. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Late light illuminates dusk clouds above the salt flats of Badwater Basin, Death Valley National Park, California.

First, my disclaimer: I really am getting very near the end of the photographs of Badwater Basin shot on this late March evening. Really, I am. I’ve posted a number already, but I don’t see how there could be possibly be more than two additional images at this point. :-)

To recap, for anyone who didn’t catch the earlier posts, I visited this spot near Badwater Basin on an evening that turned out to have a wonderful combination of somewhat unusual salt flat conditions and interesting evening clouds. The “unusual conditions” were due to recent heavy rains in Death Valley that had flooded this section of the the salt flats a few weeks earlier. The flooding had subsided – at this point there was some water below the salt crust but the surface was mostly dry – but the character of the salt “polygons” had been “reset to zero” by the water. What had been very jagged and worn and cracked material had been flattened and smoothed. While the joints between the sections of the salt are clearly still visible, they were almost flush with the surface of the flat at this time.

On top of this somewhat rare condition, I was very fortunate to be there on an evening when there were clouds and, in addition, the cloud conditions evolved beautifully as the evening progressed. I saw this possibility earlier in the afternoon, which was one reason that I chose to shoot here, but you can never really know for sure what will happen… until it happens. The clouds started out thicker than what is seen in this photograph but as the day came to an end they began to thin and separate – enough that the colorful light from the evening sun began to light the clouds during the last moments of the day.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two photographs at .4 and .8 second exposure time

keywords: late, evening, sunset, dusk, clouds, sky, light, orange, blue, pink, badwater, basin, salt, flat, polygon, white, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, mountain, amargosa, panamint, range, horizon, stock