“Redwood Forest Plants” — Detail of plants growing on the redwood forest floor.
We are perhaps spoiled somewhat here in my part of California. We take redwood forests for granted — both the coastal trees and the sequoias found in a few areas of the Sierra. Because I’ve been around these trees almost all my life, I forget sometimes how remarkable they are. Ironically, it is frequently while traveling to other places where forest trees are not of such gigantic size that I realize how shocking their scale can be.
At the same time, familiarly helps me look past the trees themselves and see smaller things that might be overlooked by a person walking through these forests with neck craned upwards in marvel. There is actually a lot taking place right down on the ground, especially during the wet season. I made this photograph one march in redwoods just north of San Francisco.
Winter dusk light on the Pacific Ocean near the Marin Headlands
This is a photograph from all the way back in January, when we had driven north across the Golden Gate with no particular plan in mind, but perhaps thought about making some photographs. We had been in San Francisco for some other purpose, had some time, and figured we use it by crossing the bridge. By the time we ended up north of the bay, we discovered that the day was going to end very soon, and that we would run out of light. Yes, we were not really prepared! We quickly got back to the car and headed to a familiar iconic location, the Conzelman Road area of the Marin Headlands, from which panoramic views of the entrance to San Francisco Bay are available.
When we arrived I was initially not very excited about the photograph potential. I know this probably sounds odd to some who have longed to see that view back toward San Francisco, or who have perhaps only seen it once or twice. But I pass this way fairly often, and after a while the novelty of a typical day here wears off and I begin holding out for more special conditions. So where we stopped I did not initially take out my camera gear — instead I simply played tourist and enjoyed the spectacular scene. However, as I looked at it I began to notice a few things that seemed interesting. At first there were some light beams coming across the dark land at the lower left, though they are no longer really visible in the photograph. They I began to notice the turbulent patterns on the surface of the water passing through the Golden Gate as the tide turned. And then I could see that there was going to be some interesting color in the winter sky above the ocean. So, in the end, I did get the camera out to make a few photographs.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Ocean View Trail traverses a grove of young trees, Muir Woods National Monument
First let me get a few preliminaries out of the way. Despite the title of this photograph, there I no “ocean view” here, and despite hiking a good distance up this trail I never saw one — perhaps due to the fog but also to never getting high enough above the valley or out of the trees. Second, and perhaps of more interest to some who use Canon equipment, I had a chance to work with the new Canon EF 16-35mm f/4 L IS lens for the first time on this shoot. I’ll have more to say about that in a separate post, since I know that quite a few folks are interested in this lens. All I’ll say on that technical subject here is that I was not disappointed! (Link goes to site sponsor B&H Photography.)
The conditions on this morning were those of a typical San Francisco summer day — in other words, it was foggy! There are, at least from my point of view, significant advantages to this. It can be quite warm in Northern California this time of year, especially if you get away from the coast, so the cool coastal fog is almost always a welcome relief. The fog also softens the light, and when shooting in a forest like this one that is often quite important — brighter sunlight can send light beams to the forest floor that make for very wide dynamic range and a harsh effect. And, not insignificantly, the fog means that this photographer doesn’t have to get up quite so early to have this wonderful, soft light. This trail branches off from the very popular (absurdly popular at the wrong times on the wrong days) main trail up the valley of Redwood Creek, with its easy access to the redwood trees. The Ocean View trail climbs, steeply at times, at first through redwoods and then at times through more open vegetation. In this section all of the trees appear to be very young and packed together closely. I liked the patterns of their dense trunks and also the slight glow of light on the trail.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
New ferns grow against a backdrop of last year’s dead ferns
These ferns are an easily visible part of the annual cycle of growth and decay in the redwood forest. At the right time of the year they can produce very lush green growth in some areas, but later on in the season they die back and they are instead dry and brown. Each spring, after rain and as the days get longer, the cycle starts again and the new green shoots appear against the backdrop of the old, dead plants.
This is such a spot, and the main frond is, indeed, this year’s new growth. The shriveled plants underneath, hanging straight down the bit of hillside, are the brown plants left from the previous year. I initially was thinking of a color photograph when I made the exposure, looking at the obvious contrasts between the new and old and especially between the green and brown colors. But somehow, as I looked at it in post, the color rendition wasn’t working and it started to feel like monochrome might be more interesting. (Yes, sometimes I do not know which way I’ll go with a photograph at the time of exposure, and the post-processing phase ends up being as much a time of discovery as the time when I make the initial exposure.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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