Tag Archives: red

Kit Fox Hills and Death Valley Buttes, Dusk

Kit Fox Hills and Death Valley Buttes, Dusk - Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park

Kit Fox Hills and Death Valley Buttes, Dusk. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.

The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.

I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!

This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pre-Dawn Sky, Amargosa Range

Pre-Dawn Sky, Amargosa Range - Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.
Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.

Pre-Dawn Sky, Amargosa Range. Death Valley National Park, California. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sky above the Amargosa Range in pre-dawn light, Death Valley National Park.

I usually cannot resist the opportunity to photograph the ghost town of Rhyolite, Nevada when I’m in Death Valley. I especially like shooting there in the morning. I usually arrive before dawn since the pre-dawn light can create some wonderful effects on the ruins of the town’s buildings, especially if a few thin clouds and the right atmospheric conditions create some interesting light colors. So on this year’s early January trip I devoted one early morning to this subject.

As per my plan, I arrived at Rhyolite a few minutes before the good light started – it was very cold and no one else was there. In fact, I had the place to myself for the first half hour or so of my photography. I never know exactly what to expect when it comes to the dawn light. If things work out just right, and especially a bit later in the year, thin pre-dawn clouds will light up and color the light on the old town. That didn’t happen on this morning. First, I discovered that in the heart of winter, when the sun comes up a bit further south, a mountain right next to the town blocks the first light and it doesn’t strike the best ruins (such as the school and Cook Bank) until a bit later. In addition, on this morning clouds above the horizon blocked the light just a bit more than I would have liked. However… to the west and over the Amargosa Range things were rapidly becoming a lot more investing. This range was open to the light from the pre-dawn sky in the east, and high thin clouds began to pick up that colorful light that I had hoped might appear over the town. I put a long lens on the camera, moved to a position where I could get a fairly unobstructed view to the west, and made a series of exposures of this simple composition that allowed me to include a large section of the colorful sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ridge Above Tucki Wash, Dawn

Ridge Above Tucki Wash, Dawn - First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.
First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

Ridge Above Tucki Wash, Dawn. Death Valley National Park, California. January 5, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)

On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.

I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.

Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

“Feel Better”

"Feel Better" - A barber "pole" with the words "Feel Better" and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.
A barber "pole" with the words "Feel Better" and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.

“Feel Better”. San Jose, California. December 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A barber “pole” with the words “Feel Better” and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.

Another photograph made while wandering about in my neighborhood. These signs are on the side of a very old and very dilapidated little wood-sided building that houses a barber shop and a cleaners. The building is leaning so badly and on such uneven ground that it is a wonder that it is still standing and that the city still allows people to occupy it. Yet, it seems like the two businesses inside, which give the appearance of having been there a long time, continue to hang on.

The crazily tilting, off-kilter walls along the side of the building first caught my attention, so I went around to the side to make some photographs of this wall. Once I got closer I was intrigued by the barber “pole” (or the cheapest imaginable imitation of the real thing, nailed to the wall) with its odd label, “FEEL BETTER” near the bottom. The hand-painted sign for the cleaners was also interesting. Today it seems like most business signs have been extruded at the same business sign factory, and they often share a uniform slickness and lack of individual character. Not true of this sign! I looks like perhaps the owner painted it himself or herself, and that this person had just enough painting skill to pull it off, but not so much as to be overly slick, to put it mildly. The oddly spaces hand-lettering and the “personalized” paintings of suits hanging on hangars are not the sort of thing you usually see in this area, but they do have a certain charm.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.