Tag Archives: reflection

Photographs: New York City, Photographs: Urban/Street

Free Beans

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Free Beans
A very worn, largely illegible, and graffiti-covere sign on a Manhattan business.

Free Beans. © Copyright 2022 G Dan Mitchell.

A very worn, largely illegible, and graffiti-covered sign on a Manhattan business.

We don’t know if they are good beans, but at least they are free, or so we are led to believe. This window, made opaque, was under scaffolding that covered a sidewalk next to the building in Manhattan. Such scaffolding seems ubiquitous to me. I can’t vouch for this, but I was told by someone who should know about such things that the scaffolding contractors like to leave the stuff up since it is less expensive than moving it and warehousing it!

This kind of forgotten urban detritus fascinates me. At some point in the past, someone must have put some thought into the signage, determining which colors to use, what size fonts to use for different text, and aligning those yellow lines that divide it into sections. But neglect, weather, and graffiti have done their work, and today it is hard to even figure out what the sign is about.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Reflection Deception

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Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpine Lake, Sunset Moonrise

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Alpine Lake, Sunset Moonrise
The half-moon rises over a ridge above a Yosemite backcountry lake.

Alpine Lake, Sunset Moonrise. © Copyright 2022 G Dan Mitchell.

The half-moon rises over a ridge above a Yosemite backcountry lake.

This rugged ridge rises above the lake at which I camped for several days of Yosemite backcountry photography. During the day these slopes have an entirely different appearance, glowing brightly in the harsh daytime sunlight. Later they become blue as the sun leaves and evening shadows take over. But for a brief moment just before the sun dropped over the western horizon, the slopes were washed with this beautiful pink light as the moon rose over the ridge.

We often imagine that landscape photography is a slow, thoughtful process. It can be slow, and there are times when I wait a long time in one spot for the right thing to happen. But other times the landscape changes with remarkable speed. The edge-of-the-day morning and evening times often are in this category, as the light undergoes profound changes in minutes or even seconds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Lake, Meadow, and Alpenglow

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Lake, Meadow, and Alpenglow
“Lake, Meadow, and Alpenglow” — An alpine lake and alpenglow on Yosemite backcountry peaks.

Over the years I have visited this lake many times. I feel like I know it pretty well now, but I still discover new things each time I go there. My first visit was on a very long day hike in the early fall, in golden light and cooler temperatures. After that I made it a backpacking destination quite a few times, and from here I explored other higher lakes nearby.

On the trip when I made this photograph I had gone earlier in the season to set up a photography base camp. From here I hiked daily to higher lakes, where I photographed more alpine country. A special feature of this location is that it lies on the west side of a ridge running somewhat north-south, with a completely open vista to the west. Late in the day this landscape fills with colorful sunset light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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