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Desert Mountains, Evening

Desert Mountains, Evening, Death Valley
“Desert Mountains, Evening” — Desert mountains tower above a huge fan and hills, Death Valley National Park.

First days in Death Valley are always a bit of a challenge. The day typically starts before dawn with a very long drive from the San Francisco Bay Area. It is at least mid-afternoon by the time I get to the park and find a campsite, and it takes an hour or so to get things set up. By this point evening isn’t that far away, so I usually pick a fairly reliable location for the first evening shoot. (I come back to camp for late dinner after dark.)

This time I headed for an area that I know pretty well, along a route that eventually leads out of the park and into Nevada. There are several locations here that I’ve been “working” for years, photographing them regularly on most visits. So I decided that the goal this evening would be to find different views in that familiar area. At my first stop I hiked to the top of a nearby hill without camera gear, just to get the lay of the land. From that elevated vantage point I could see this scene, so I headed back to my vehicle, got my gear, and set up as evening shadows stretched across the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Desert Mountains, Evening”

  1. G Dan Mitchell Avatar
    G Dan Mitchell

    Hi Greg. Thanks for following my blog and for leaving a comment!

    I probably haven’t reached that 75 visit milestone yet, but I’d guess I’ve been there 35 or 40 times, most often for stays of five days or so. My first visit was in the mid to late 1990s, when I went with one of my kids’ school hiking clubs. In some ways, given the near disasters on that trip (it is a long story… ;-) it may be surprising that I ever went back. But as a long time High Sierra backpacker and cross-country skier, there was something magically different about this landscape. I still vividly recall my very first view of Death Valley itself. On the first morning I opened my tent door and looked down into the valley in the early morning light — I had never seen anything quite like it before, and I was hooked.

    As to what inspires me to go back, that’s perhaps a complex thing. I love the immense space of the place and the profound silence and stillness once you get away from the more popular locations. I’m attracted to the way that this desert landscape is laid bare, not covered by trees and brush, letting us see the geology directly. It also appeal to me that we can go almost anywhere our feet will take us in this wide open landscape.

    But this landscape is also incredibly diverse. People tend to associate Death Valley with sand dunes and barren places, and those certainly are found there. But there are also beautiful canyons, and high mountains. And there are fascinating examples of earlier human presence, ranging from the precious and fragile marks left by the first people who were already there when Europeans first arrived, up through the miners and prospectors, evidence of whose time there is all over the park.

    Photographically, this is an outstanding place to work with light. It changes all day and between seasons, and because much of the terrain is not intensely colorful the light takes over and often becomes the main show.

    I could go on, but I’ll stop there for now… :-)

    Dan

  2. Greg Avatar
    Greg

    Dan, I have been following your blog for a few years. Amazing photography. Thanks for sharing your experiences. It looks like you have been to Death Valley
    75 times or so over the past couple of decades. I have only been 5 times in my lifetime. What inspires you to go back year after year. It is a very visual
    landscape. I find it to be very peaceful. Have a great day. Greg

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Levee Road, Winter

Photo: gravel road along a levee in California's Central Valley.
“Levee Road, Winter” — A gravel levee road winds through California Central Valley wetlands.

Driving through California’s Great Central Valley, you might think that the place consists of freeways, scattered towns, and distant views. These are port of the experience, but if you get off of the Interstates and poke around in more rural areas you find a very different world. Here we were following a gravel road along a flood control levee on on an early-winter morning.

Roads like this are all over the Central Valley. In the wetter areas they follow levees, but elsewhere they might track along property lines. When I made the photograph a weather front was passing nearby, and the sky was full of impressive clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Tree, Clearing Fog, Dawn

“Tree, Clearing Fog, Dawn” — An old winter tree sillouetted against the dawn sky as tule fog clears.

Certain subjects keep drawing me back. I don’t mean just general types of subjects, but very specific things, places, objects, and so forth. This tree, at this time of day, in these conditions, is one of those subjects. It is at a place where I frequently photograph in the winter months, and I usually try to be there on mornings when the fog will clear at or after dawn — a morning just like this one.

There is something to be said for seeking out new and unusual subjects. But I think there is also great value in returning to the same subjects and getting to know them more deeply. Beyond that, there is a wonderful sense of being “grounded” in a familiar landscape, one that you know from long acquaintance, to the point that the surprises happen against a backdrop of deep familiarity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Levee Road, Clearing Fog

“Levee Road, Clearing Fog” — Morning tule fog clears and the sun comes out along a Central Valley levee road.

Every New Year’s Day a group of us gather to greet the literal dawn of the new year and make photographs. This year Patty and I turned it into a three-day event, arriving on New Year’s Eve and hanging around through the morning of January 2. This isn’t your typical place to celebrate New Year’s Day — it is a quiet, isolated place in portions of of California that is likely not on most peoples’ maps. But there is beautiful light, quiet, and frequently the sun rising through tule fog.

It was quite foggy when we arrived before dawn on this morning, but not the incredibly thick fog that makes travel dangerous. In fact, the layer of tule fog was shallow enough that we could see the pre-dawn sky overhead. The fog began to thin soon after sunrise, and here along the levee road the intense color of early morning light was winning the battle with the remaining fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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