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Detail, Last Light on El Capitan

Detail, Last Light on El Capitan


Detail, Last Light on El Capitan. Yosemite Valley, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail view of last sunset light on the face of El Capitan, Yosemite National Park, California.

Recently I wrote about (and confessed to occasionally) photographing icons. You cannot succumb more openly to “icon photography” than by creating a sunset photograph of El Capitan as seen from Wawona Tunnel view – but that is exactly what this is.

I had not originally intended to photograph here, but as I often do, I drove by and stopped on my way to look for another subject. When I arrived I got out of the car and walked to the overlook without my equipment, as I often do, just to take a look at the stupendous view – worth doing whether or not you decide to photograph it. Most of the time I simply enjoy the view and then get back in the car and move on. However, on this evening I noticed some things about the conditions that forced me to consider the possibility that it might be “special” enough to stick around and haul out the camera and tripod. The air was quite clear, but even more potentially interesting, I could see a few low clouds to the west and the sky in that direction looked a bit hazy – both conditions can create intense color at sunset. (If I could have ordered up revisions to the existing scene, I might have requested a few interesting clouds floating around the face of El Cap, but no one seemed interested in taking my order!)

Rather than shooting the usual “valley view” – it takes Really Super Extra Amazing Special Conditions for me to “go there” – I put my longest lens on the camera and decided to “work” details of the scene, particularly looking for boundary areas and interesting shapes and forms. By boundary areas I refer to to beautiful and interesting spots where different things are juxtaposed – a shadow and bright illumination, a soft shape or texture and a harder one, a closer subject and one farther away. As the light evolved this pattern of brilliantly illuminated cliff faces separated by a slightly curving shadow and underlined by the rising shadow emerged.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Detail, Last Light on El Capitan

Detail, Last Light on El Capitan

Detail, Last Light on El Capitan. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail view of last sunset light on the face of El Capitan, Yosemite National Park, California.

Shot from a very famous and popular location, this is a long lens view of the face of El Capitan close to sunset when the light is almsot but not quite directly from behind my position, and when the shadows of the lower mountains to the west begin to rise up the face of the mountain. There is a color version of this photograph also, but the effect is very different. And this one reminds me in a vague way of a certain famous photograph of another Yosemite landmark.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: yosemite, national, park, valley, sierra, nevada, mountain, range, autumn, fall, season, scenic, travel, nature, landscape, california, el capitan, cliff, face, shadow, prow, edge, crack, texture, form, ledge, sunset, evening, dusk, sky, clouds, rest, granite, rock, climb, rock, ridge, evening, stock, black and white, monochrome

Meadow, Oak Forest, and Cliffs – Autumn, Yosemite Valley

Meadow, Oak Forest, and Cliffs - Autumn, Yosemite Valley

Meadow, Oak Forest, and Cliffs – Autumn, Yosemite Valley. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Autumn color on meadow, forest, and cliffs at Yosemite Valley, California.

If it isn’t clear by now… I really like photographing the “treescape” of Yosemite Valley – at any time of the year but especially in the fall.

This was a technically challenging photograph to produce. Several things attracted me to the scene including the color of the shaded oak in the right foreground, the subtle light on the tree trunks coming from the reflection from a cliff that is far out of the frame to the left, the very yellow tree just left of the center of the frame, and the sunlit slopes of the Valley walls beyond, carpeted with trees. In addition to finding the right spot to “see” all of this, the exposure issues were challenging.

Dynamic range was obviously one issue. The foreground oak and certain other elements are in relatively dark shade, yet these areas include important details. At the same time, the far cliff is in full sun and – to add to the fun – includes some very reflective sections of rock that are extremely bright. The solution for me was to make two exposures – one for the shaded foreground areas and another for the distant and very bright cliff. The two images were then blended in post-production using masks. (For those who know the term “HDR,” this is not HDR.)

The second problem had to do with color balance and/or color perception. Though you might not “see” it while standing there looking at the scene, there are some very complex issues here with the color of the light. On one hand there are elements that naturally have very warm tones, including parts of the meadow in the sun and that small very yellow oak tree left of center. But other elements are actually very blue – the foreground, shaded vegetation and parts of the meadow because they are illuminated primarily by the very blue open sky above, and the distant hillside because of the haze in the Valley. Our eyes and brain “correct” for this when we are on the scene and we don’t recognize these color issues – to us it just “looks the way it looks” when we are standing there. However, put this lighting in a photograph “as is” and it looks quite wrong! So I had to make some selective color adjustments to move these areas a bit away from the blue tones and in the case of the far cliff to desaturate a bit. Some of this could be done in a general way, but other parts of it had to be done bit by bit using masks.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Cottonwood Grove, Yosemite Valley

Cottonwood Grove, Yosemite Valley

Cottonwood Grove, Yosemite Valley. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell– all rights reserved.

A dense cottonwood grove near the Merced River illuminated by afternoon light, Yosemite Valley, California.

Near Leidig Meadow in Yosemite Valley but closer to the banks for the Merced River there are many stands of cottonwood trees. This is one of the denser stands, and as the leaves turn fall colors it beautifully catches the warm afternoon light coming up the Valley from the west and is set of by the much darker and less colorful shaded face of the tall cliffs beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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