Tag Archives: rocks

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Alpine Lake

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Morning Light, Alpine Lake
The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park

Morning Light, Alpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park.

Continuing my look back at backcountry trips that illustrate my connection with the First Light photographers group, here is another from the 2008 visit where I first met up with them (rather briefly!) in the mountains. My interaction with the group (who had been doing these trips together for something like seven years already at that time) consisted of two meetings. Although I knew they were in the area I had not seen them until my chance encounter with Keith at the inlet to an alpine lake. On the final day of my (solo) visit I took a short detour to pass by their camp as I started my hike out to the trailhead. I save the details of that story for another time, but let’s just say that I was impressed.

This photograph comes from the nearby lake where I camped for three nights on my parallel solo photography trip into this area. It is one of those Sierra backcountry spots that I have returned to many times over the years, so I’ve gotten to know it intimately and I have pushed out the boundaries of my experience here to include much of the surrounding landscape. On this morning I was focusing on the first early morning light on granite and brush along the shoreline, and on juxtaposing those features with the patterns submerged beneath the lake’s surface.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Alpine Lake in Shadow

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Alpine Lake in Shadow
Rocky terrain around a awilderness alpine lake in shadow, Kings Canyon National Park.

Alpine Lake in Shadow. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rocky terrain around a wilderness alpine lake in shadow, Kings Canyon National Park.

I photographed this scene in a sort of light that I might not typically use for such a subject. This lake lies in a basin beneath some very tall and rugged peaks, and it loses its sunlight well before sunset as the shadows of those peaks stretch over the landscape. The softness of the light here is what you get it and kind of light, where the illumination comes from the diffused blue dome of the sky.

Of all the variations of Sierra Nevada terrain, places like this hold a special attraction for me. Near timberline, they mark the transition from the familiar forested country to the wild and rugged high places. The softening effect of vegetation is still here, but the views are open and rocks are everywhere. It is a landscape of possibilities, chief among them the potential to follow any line of passage that you can see.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Rainbow and Afternoon Shower

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Rainbow and Afternoon Shower
A rainbow and afternoon showers in the Kings Canyon National Park high country.

Rainbow and Afternoon Shower. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rainbow and afternoon showers in the Kings Canyon National Park high country.

This photograph is a somewhat different “take” on a scene and subject that I shared in another photograph a few weeks ago. A group of us had been camped near this little tarn (and dozens of other nearby lakes) for over a week as we photographed the heck out of the area. This spot was perhaps a ten minute walk from our base camp, so we visited often and photographed the area in a variety fo conditions — morning and evening, sun and rain.

Being established in one backcountry location for a lengthy period of time has all kinds of advantages for photography. While you might not see as large a swath of the range, you do see the smaller area in much more detail. Speaking for myself, my mental attitude toward the landscape changes in these circumstances and instead of always looking for the big thing I start to look more for the unseen thing or the unanticipated way of seeing it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.