Tag Archives: rocky

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Dark Forest and Pond

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Dark Forest and Pond
Beyond a small subalpine pond, dark forest rises into rocky terrain, Eastern Sierra Nevada.

Dark Forest and Pond. © Copyright 2020 G Dan Mitchell – all rights reserved.

Beyond a small subalpine pond, dark forest rises into rocky terrain, Eastern Sierra Nevada.

The main fall color show in the Eastern Sierra Nevada (and in other higher portions of the range) comes from the October aspen color. But this most certainly is not the only Sierra Nevada Fall color. I always mark the start of the color season by the corn lilies taking on yellow and brown hues, and not long after that the bilberry plants turn areas (often around lakes) deep red in just the right light. Willows are some of the first plants to get real yellow leaves. Grasses begin to transition from green to yellow to brown.

Most of the autumn colors in this photograph are a bit more subtle than the brilliant aspen leaves. The beds of grass are well along on that transition from green through yellow to tan and brown. A few small plants along the base of the rocks are showing yellow. And beyond that, the overall sense is that of a scene of end-of-season quiet and stillness. There were fewer people than usual up in this area due to fires and the pandemic, and as I continued photographing into the dusk hours I was almost the only person left here when I arrived, and by the time I finished I had the silence of this scene to myself.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Ocean & Coast

Rocky Coastline, Surf and Mist

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Rocky Coastline, Surf and Mist
Big winter surf raises spray and mist along the Big Sur coastline at the Rocky Point Bridge.

Rocky Coastline, Surf and Mist. © Copyright 2013 G Dan Mitchell – all rights reserved.

Big winter surf raises spray and mist along the Big Sur coastline at the Rocky Point Bridge.

As many times as I have photographed this subject, you might think that I would eventually have had enough of it and just pass it by. But when I visit the Big Sur coast it is almost inevitable that I’ll stop here at least briefly, and as a result I have photographed this scene in lots of different conditions — stormy surf, brilliant sun, fog, and more. Once I even angled the camera down just a bit to include the but of pasture that I usually keep outside the frame… and some cattle made an appearance in my photograph.

If you look closely through the mist raised by the gigantic winter surf you can make out the Rocky Point Bridge in the distance, one of the famous bridges on this old highway. It is not the most famous structure on this route — that reputation belongs to a different bridge a bit further to the south. On this morning there was big winter surf, and sometimes waves arrived that were big enough to almost overwhelm the foreground rocks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Alpine Lake, Storm, and Rainbow

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Alpine Lake, Storm, and Rainbow
A trail crosses a rise beyond an alpine lake as rain begins and a rainbow appears against stormy skies, Kings Canyon National Park.

Alpine Lake, Storm, and Rainbow. © Copyright 2013 G Dan Mitchell – all rights reserved.

A trail crosses a rise beyond an alpine lake as rain begins and a rainbow appears against stormy skies, Kings Canyon National Park.

This photograph comes from a wonderful trip into the Kings Canyon backcountry seven summers ago. A group of five photographers who have been doing such things for almost twenty years (I’ve been going along for a decade) packed in to a remote location at 12,000′ and set up a basecamp. We spent a week there photographing the heck out of the nearby landscape of granite, lakes, and peaks — and enjoying the camaraderie that comes from working together in the wilderness.

By the time I made this photograph I had settled thoroughly into the routines of living and photographing in such a place. I’ve often photographed while hiking through the Sierra, but working from a base-camp gives me time to explore more carefully, to get to know the character of a place, and to experience it in a variety of conditions. Although it was the tail-end of a drought season, we had rain from time to time, and on this afternoon I photographed an area full of lakes as the afternoon showers arrived.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.