Tag Archives: rocky

Pacific Shoreline, Point Reyes

Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dry Wash, Morning

Dry Wash, Morning
A dry wash, eroded hills, and dramatic sky.

Dry Wash, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, eroded hills, and dramatic sky.

This dry wash leads off into barren (though colorful and fascinating) desert hills. I was here early one morning during a 2019 visit to Death Valley National Park. I spent a few quiet hours working my way though a nearby canyon, making photographs, and I stopped here for a bit to investigate this dry wash that seemed as if it might have been wet in the not-too-distant past.

Washes like this one are fascinating places. In a world where we often feel that we should stick to the trail and follow the established route, they invite us to improvise our way into the landscape. Walking up such a wash, it is impossible to find anything resembling a trail. While you may you may have a general direction in mind, the immediate route deviates around rocks, heads toward an interesting plant, ducks into shade, stops at a colorful rock, and goes just about anywhere else that your feet and thoughts might lead you.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Waterfall And Late-Season Lupine

Waterfall And Late-Season Lupine
Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Waterfall And Late-Season Lupine. © Copyright 2019 G Dan Mitchell – all rights reserved.

Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Our visit to this location, at 11,000′ in the Eastern Sierra Nevada, took place during the last few days of August and the first two days of September. Yes, we were there on Labor Day — and we watched lots more people show up on that last weekend! Most people regard this as the end of the backcountry season. The daylight hours decrease noticeably, and while the weather remains generally beautiful there may be a chill in the air a bit more frequently.

In a typical year the Sierra Nevada high country often becomes rather dry by this time. During August the meadows usually turn golden brown, stream flows diminish, and most wildflowers are just a memory. But in wet years – and this was one of those — there can be a colorful surprise for late-season visitors. We arrived to find lots of flowing water, meadows that still were green in many places, and even copious wildflowers. Here we found huge beds of blooming lupines, an unusual site for the start of September!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reflections, Rocky Shoreline*

Reflections, Rocky Shoreline
“Reflections, Rocky Shoreline” — Huge rocky slabs meet the shoreline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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