Tag Archives: rugged

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Detail

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Red Rock Detail
A section of sandstone cliff, Arches National Park.

Red Rock Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

A section of sandstone cliff, Arches National Park.

There is a story about my first visit to Arches National Park that we like to recount. (Perhaps you have heard it?) It derives from a habit of mine of not doing too much research before visiting a new location — I prefer to let some things remain a mystery so that I can have the joy of “discovering” the place for myself. That was the case on our first visit to Arches. I really didn’t know anything more than that there were (duh!) some archest there and that it was a national park. We arrived in Moab in the early afternoon, and finding ourselves with more time that day than expected we decided to make a quick first visit. A reliable source reports that I pretty much lost my composure upon “discovering” this collection of towers, arches, cliffs, and more.

This photograph comes from our second visit, a few years later and during a different season. By now we knew a bit more about what to expect, and I arranged to be in a particular spot early in the morning with the prospect of photographing dawn light on sandstone features. I made quite a few photographs that morning, but this one is an example of my interest in using long lenses to photograph small details of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Ocean & Coast

Pacific Shoreline, Point Reyes

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Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon and Mountains, Morning

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Canyon and Mountains, Morning
A Death Valley canyon and mountains, backlit by early morning winter light.

Canyon and Mountains, Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Death Valley canyon and mountains, backlit by early morning winter light.

I have a bit of a long relationship with this spot in Death Valley. I stop there on almost every visit to the park, typically either very early in the morning (arriving before dawn) or else for last light in the evening. I’ve been there when the wind was strong enough to make it difficult to walk, when it was unbelievably cold, on still warm days, in blah conditions that made me ask “why?,” — and on one memorable occasion I had to turn back because there was too much snow!

As a photographic subject this landscape is greatly dependent on conditions of atmosphere and light. in “normal” light in the middle of the day it is a gigantic vista but rarely a compelling photograph. But early in the morning very interesting things can happen, especially when the backlight is strong and there is just enough haze in the air to make the atmosphere glow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Shadows, Panamint Mountains

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Morning Shadows, Panamint Mountains
Morning shadows stretch across a wide valley high in the Panamint Mountains.

Morning Shadows, Panamint Mountains. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning shadows stretch across a wide valley high in the Panamint Mountains.

This photograph comes from a wonderful winter week in Death Valley a few years ago. Death Valley has increasingly become another busy national park, especially during the late winter and spring, and even more so during spring break and some of the longer winter holidays. But that had not quite taken off eight years ago when I spent a wonderfully lonely week in the park, having many places completely to myself… and experiencing some of the coldest weather I have encountered there.

I had been up high in the Panamint Mountains at dawn on this morning. After finishing with some photography of a particular subject up there, it was time to move on to the next subject. I headed down a gravel backcountry road, dropping into one high valley, and then continuing into an even larger valley below that. I paused here to look into those two valleys as the rising sun was casting long shadows across the landscape. This place always evokes the silence and immense expanse of this desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.