Tag Archives: rugged

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Winter Meadow, Forest

April 28, 2014 G Dan Mitchell Leave a comment

Forest and snow-topped cliffs above a winter meadow, Yosemite Valley

During this distressingly dry season in California, our three-day visit to Yosemite Valley in early March was a welcome relief. It was raining when we arrived, and it remained cloudy and wet for the entire period, with breaks in the rain but not the clouds. We were there for the opening of the Yosemite Renaissance XXIX exhibit, which continues in the Visitor Center Gallery through early March. (Stop in and take a look if you make it to the Valley. This is a wonderful annual juried show of art related to Yosemite and the Sierra. And, yes, one of my prints is there.)

The scene here is a popular and well-known Cook’s Meadow. As is normal in the winter, the grasses that are so green in spring and early summer have gone dormant, as have most of the other plants in the meadow itself. This is such a familiar scene—though always a beautiful one—that I most often would not stop to photograph. However, among the brown tones the one spots of bright red among the foreground brush caught my attention, and the light had a warm and glowing quality that was special. The light falling on the forest was very soft, filtered though thin clouds above and to the east, and snow from the passing storm covered the upper reaches of the cliff walls around the Valley.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Morning

April 8, 2014 G Dan Mitchell Leave a comment

Morning light on rugged badlands, Death Valley National Park

This was a different sort of Death Valley visit than usual. My typical visit takes a pretty uncivilized approach. I always camp, sometimes in the back of my vehicle so that I can be in the right places quickly. I virtually always work completely alone, aside from occasionally running into another photographer or two. With the exception of a restaurant meal or two, I typically eat one backpacker-style hot meal in the evening, usually after returning from an evening shoot after dark, and the rest of the time I “browse” on whatever I can have with me. To a non-photographer that may sound somewhat rough, but photographers understand that this keeps me mobile, “out there” in the field, and gets me to places I might not see and experiences I might not have otherwise. I’m fine with it!

But this time, my wife came along. Aside from the expected changes this brings—she isn’t a camper, so we stayed at Stovepipe Wells—it also presents the opportunity to see the area through a different set of eyes and to revisit some of the more familiar places that I might otherwise not photograph. In the “different set of eyes department,” she is an avid photographer of very small things, mostly wildflowers. A few years ago she began to come along on a few of my shoots and then to carry a camera. While I would be off photographing some Big Thing, she would be crouched down in the brush somewhere finding an amazing flower that I hadn’t even realized was there. (A bit later I’ll post a few wildflower photographs from this trip, including many photographs of flowers I would likely have overlooked if she had not been along for the ride.) In addition, since she had never been to Death Valley before, it was important to hit some of the iconic locations in addition to heading out to some of the less visited places that I know about. With this in mind, I planned a morning at Zabriskie Point. Zabriskie is, to borrow a phrase, an icon for a reason. Since I’ve photographed extensively in the park for a decade now, I don’t usually photograph there unless I expect something truly exceptional or unusual. But, let’s be honest, a new visitor to DEVA must experience a sunrise at Zabriskie, which is just what we did on this morning. This did give me an opportunity to engage in a little informal project that I’ve been playing with for a few years, one that has me pointing my camera away from the familiar grand view over Gower Gulch and Manley Beacon toward the Valley and the Panamint Mountains and toward some of the other geological features found here.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Headlands, Pacific Ocean, Dusk

March 5, 2014 G Dan Mitchell Leave a comment

Dusk light silhouettes the rugged Marin headlands above the Pacific Ocean disappearing into distant haze.

On a day that began with a visit to the De Young Museum (the final weekend of the David Hockney exhibit) we ended up with some hours of free time in San Francisco… so we decided to head across the Golden Gate and try to be in position somewhere for interesting evening light. We didn’t really have a concrete plan, and we could have ended up in the headlands, along the bay, or perhaps further north along the coast. We stopped for coffee and killed a bit of time in the mid-afternoon light, and by the time we finished the early winter sunset was closer than we had expected.

Looking at the late hour (hey, it was a “vacation day!”) we realized that we didn’t have nearly as much time as we imagined, so we quickly figured out that our best bet was just to head back into the Marin Headlands on the very popular Conzelman Road – yes, the place where hundreds or thousands of people go almost every evening to watch the sun set or the fog roll in (or, sometimes, just a plain old wall of fog!) over the Golden Gate. We drove up the road and the crowds were, as expected, large enough that there were few places to park. In fact, I had to pass up a few possible photographic subjects since I could not stop. Eventually we found a place to pull over and get out and take a look. It was a pretty evening, but the view of the City was not unusually spectacular and I left my camera equipment in the car and just enjoyed the evening view and crisp air. As I stood there, I saw that the backlight over the Pacific outside the golden gate was starting to produce a beautiful diffused light over the water as the atmosphere became increasingly opaque toward the horizon. So I grabbed the tripod and camera and walked up the road a ways to make a few photographs of the ocean and the steep, rugged Marin Headlands cliffs plunging toward the edge of the water.

Events, Gallery, News, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

A Reprise: “Fractured Granite, Reflections”

February 28, 2014 G Dan Mitchell Leave a comment

Fractured Granite, Reflection, Sequoia-Kings Canyon National Parks — “Fractured Granite, Reflection” — The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

Today I am reprising a photograph that I shared previously since it is part of the Yosemite Renaissance XXIX exhibit opening this weekend in the Yosemite Museum Gallery in The Valley.

An exhibition of contemporary art of Yosemite and the Sierra
Saturday, March 1 to Sunday, May 11, 2014
Yosemite Museum Gallery, Yosemite National Park

The first event of the show is tonight…

The public is invited to the
Awards Reception, Friday, February 28 from 5:30 to 7:30 PM

Perhaps I’ll see you there!

Now, to the text of the original post, plus a more recent addition…

The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.

With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.

Addendum: It occurred to me last week that there is a (perhaps tenuous?) connection between this photograph – with its theme of a vertical rock face above placid water – and this one by Ansel Adams that I had an early connection to: http://www.christies.com/lotfinder/photographs/ansel-adams-lake-precipice-frozen-lake-and-5056399-details.aspx – I have a personal connection to the place, which I wrote about here: https://gdanmitchell.com/2010/01/14/a-photograph-exposed-submerged-boulders-precipice-lake

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell Photography

Tag Archives: rugged

Winter Meadow, Forest

Badlands, Morning

Headlands, Pacific Ocean, Dusk

A Reprise: “Fractured Granite, Reflections”

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.