Tag Archives: scenic

Juniper Tree, Towers at Base of Sandstone Cliff, Evening

Juniper Tree, Towers at Base of Sandstone Cliff, Evening
“Juniper Tree, Towers at Base of Sandstone Cliff, Evening” —A lone juniper tree grows among boulders at below sandstone towers at the base of cliffs, Capitol Reef National Park

I made this photograph midway through a trip of about 11 days that took us to a number of locations in Utah. Every such trip seems to have a sort of arc that includes the initial excitement and expectation of heading out into the world to photograph, a settling in period, perhaps a lull in the middle followed by a reconnection to the work, a sense that the trip is ending and there is too much left to do, and the final trip back to the “real world.” This photograph was made near the end of the “lull,” and might have marked the transition back to rededication to the work. On this mid-trip day, we had found ourselves perhaps a bit without direction and one of the members of the group had not been feeling well. At a low point in our energy but perhaps feeling that we should at least carry on and act like we were working, we went to a nearby area of the park in the evening.

At first we had no clear goal in mind, though we sort of stopped and looked around at a few spots, but without really making any serious photographs. Eventually we headed up into a large canyon, first photographing the walls near the start of the canyon and then photographing the canyon itself a bit as the light began to fade. This work went OK, but it didn’t seem to be quite “clicking.” But eventually, in my experience, you get to the point where you sometimes simply accept this as part of the work, trusting that if you keep looking and keep seeing you will eventually find what you are looking for – and that this is far more productive and useful than packing it up when it isn’t working. (Though, to be fair, there are a few times when packing it up and going and having a nice dinner can be a reasonable option!) In any case, we loaded up the vehicle and began to drive back out of the canyon. Looking up at the surrounding canyon walls, we were surprised to find some very unusual post-sunset light. During normal light these canyon walls look very dark and have the intensely “red” quality of the iconic Utah sandstone. But somehow this light seemed to have drained the color from the rocks, creating a de-saturated and almost slightly metallic effect. We quickly stopped an piled out with cameras and tripods and began shooting, and it seemed to me that the connection had been made once again.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trillium Flower and Leaves

Trillium Flower and Leaves
Trillium Flower and Leaves

Trillium Flower and Leaves. Coast Redwood Forest, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A single trillium flower grows in the redwood forest of Muir Woods National Monument

I was brought up mostly in the San Francisco Bay Area. (I like to describe myself as a “virtual native” of California, since I’ve lived here since I was four years old.) When I was a child my parents would often – or so it seemed to me – bundle us into the family car for day trips to many of the nearby areas where I photograph on day trips today: Point Lobos, Pinnacles National Monument (now National Park), San Francisco, Big Basin State Park. One of the main attractions of Big Basin is the presence of coast redwood trees. I suppose that because I’ve always known trees this large that they don’t shock me the way that they do visitors who haven’t seen them before – but every once in a while I realize just how remarkable their size is.

However, with all of my youthful visits to redwood forests, it seems odd to admit that I never saw the trillium flowers there until I was much older. In retrospect, I’m pretty certain that visiting such places was a warm weather event in my family – and trillium blossoms appear at a time of the year when things are still distinctly wet and chilly. Now I try to see them every late winter and early spring, and to photograph them if possible. With this goal, I made a one day trip to the redwoods of Marin County north of San Francisco last week, making sure to arrive very early, before the hordes of tourist buses would arrive from nearby San Francisco. I managed to get a couple of hours in the deep early morning shade of the redwood forest to photograph these flowers before the sun and the other visitors arrived, making photography less appealing. Those who may not have seen the plant in the wild might be surprised at its form. Beneath the three trios of leaves/flowers that you see in this photograph, the whole affair is supported on a single long and bare step that rises vertically from the forest floor. The flowers, which can range in color from pure white through pink to a sort of dark and dusty burgundy, don’t last long, and if you aren’t there during the short interval when they blossom you might not notice them at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Slot Canyon Walls

Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Alcatraz, Sunrise

Alcatraz, Sunrise
Alcatraz, Sunrise

Alcatraz, Sunrise. San Francisco Bay, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Alcatraz Island silhouetted against reflected sunrise light on San Francisco Bay

On this morning I crossed the Golden Gate Bridge heading north around dawn, on my way to redwoods and the coast. As I cross the bridge I’m always on the lookout for potentially interesting conditions of light or atmosphere or interesting things happening on the bay. Having heard a weather forecast of “no fog,” I was a bit surprised to find… fog in the hills on the north side of the bridge, along with a slightly opaque atmosphere over the bay. I wouldn’t call that “fog” exactly – more like “could have been fog if the wind had blown a different direction or the temperature had been a bit colder.” In any case, it was an interesting development – more interesting to me than the potential for perfectly clear air.

So I left highway 101 on the north side of the bridge and detoured briefly up into the Marin Headlands, not sure what my subject might be but certain that the light looked interesting. I started to wander out to a spot where a view across the “Gate” is found, but didn’t get that far. Instead, I found interesting light in other directions – down toward Sausalito, across the Bay toward the Embarcadero and the Bay Bridge and, as in this photograph, Alcatraz. By good fortune it happened that on this morning the reflection of the rising sun was just in line with the left edge of the island. This light is almost too bright to look at, but with a long lens and the right exposure the camera can look at it just fine! The water tower on the island casts a shadow on the reflections in front of Alcatraz, and beyond the flat area of Treasure Island is visible, with even more reflective bay water beyond that. Oakland and the East Bay hills and shoreline are completely lost in the golden haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.