Tag Archives: sea stack

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast, Photographs: Travel

Layered Fog, Big Sur Coast

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Layered Fog, Big Sur Coast
Layers of thin, low-level fog hug the rugged Big Sur coastline of California

Layered Fog, Big Sur Coast. © Copyright 2020 G Dan Mitchell – all rights reserved.

Layers of thin, low-level fog hug the rugged Big Sur coastline of California

Over the course of many trips down through the Big Sur coast of California I have gotten acquainted with a range of weather, atmosphere, and light conditions. My favorites come during part of the year that starts now — late fall through early spring. It can be bright and sunny with warm temperatures, but more often there is wind, big surf, a passing weather front, or fog. One of my favorite conditions sometimes arises when there is a combination of sun and big surf from distant storms far offshore. The light is brilliant, but low fog and spray hugs the immediate coast.

It was that kind of weather during our early December day trip partway down this section of the coast. We could see new travel restrictions coming, and we wanted to get out before they arrived. (Because we can do this as a day trip, with no stops for food or gas along the way, it is safe for us… unlike overnight travel.) As we headed south the low coastal fog was usually backlit, as it is here, producing very dramatic effects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning, Fog, Surf

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Morning, Fog, Surf
Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

Morning, Fog, Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

The fog/mist in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. It is the waves themselves that throw up this mist, and on this day of surf up to 40 feet high, there was plenty of it.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, a good number of people making a quick trip down from the north may choose this spot as their turn-around point. I won’t mention what that iconic subject is, but I did not photograph it on this morning. Instead, I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up the sand to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight coming down across the cliff from above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Beach, Evening Surf, Big Sur

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Beach, Evening Surf, Big Sur
Wnter surf rolls onto a Big Sur coastline beach at sunset.

Beach, Evening Surf, Big Sur. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter surf rolls onto a Big Sur coastline beach at sunset.

The Big Sur coastline, along the Pacific Coast Highway between San Francisco and Southern California is — not a secret! — a spectacular place. It is also a place of contrasts — between land and sea, between calm summers and stormy winters, between wild surf and quieter times. A week ago I visited during high surf, with waves of up to forty feet high battering the shoreline. This time, as we took the look route back north from Los Angeles, the ocean was quiet.

Since we were driving through and photography wasn’t my primary reason for being there, we took the scenery as it came. During the final hour of daylight I began to think about finding a spot to stop and photograph the last few minutes of light. With ten minutes to spare we came around a headland and I saw this familiar scene of coastal mountains and bays extending to the north, with the Pacific Coast Highway (and one of its famous bridges) dwarfed by the landscape. I quickly found a spot along the edge of the bluff to set p my tripod, and I had a few minutes to photograph gentle evening color and coastal haze before an offshore cloud bank “turned out the lights.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastline Near Klamath River

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Coastline Near Klamath River
Late-day light on the rugged coastline just south of the Klamath River

Coastline Near Klamath River. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late-day light on the rugged coastline just south of the Klamath River

I had passed by the great Klamath River on my way north to the Redwood National and State Parks, crossing it on the long bridge just upstream from where it meets the Pacific. On that late afternoon I took a quick detour up onto a small dead-end road from which I could look back down at the river and the sandbar between it and the ocean, and I made a few photographs before moving on — I still wanted to photograph redwoods before the day ended, and I had a bit of a drive beyond that to get to my motel.

Late the next day I found myself with a bit of unscheduled time, so I returned to the Klamath, again as the end of the day approached — but this time I was not in a hurry to leave. When I had visited the day before I had looked across the river to the hills and coastal bluffs to the south, and this time I decided to explore that area a bit. A drive took me to an overlook from which there was an unobstructed view along the coastline to the south as the evening golden hour light began.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.