Tag Archives: season

Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Single-Leaf Ash, Green and Yellow Leaves

Single-Leaf Ash, Green and Yellow Leaves - A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument
A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Single-Leaf Ash, Green and Yellow Leaves. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Now, coming back to this photograph quite a while after I made it, I distinctly remember that the gradient from yellow to green of these leaves caught my attention when I saw this small plant growing out of a crack in the water carved sandstone of this canyon wall. I’m often attracted by dark trunks and branches like those on this specimen, especially when they are seen against a background such as this pink sandstone with the patches of darker, lichen-covered rock.

The photograph was made in the same canyon in this national monument where I made a number of other photographs on this same very productive day – productive despite the difficult weather conditions, which were cold, windy, and a bit cloudy. Deep in the canyon and against this canyon wall, the best light is often that from completely clear daytime sky, since that sort of light reflects the best off of the canyon walls and carries with it the warm colors of the rock. Given that this was a tremendously windy day, the lack of leaf blur in this photograph indicates that it was made in a slightly sheltered area of the canyon and, no doubt, by waiting to shoot between the gusts.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Box Elder Thicket, Fall

Box Elder Thicket, Fall - A dense thicket of box elder trees along the Escalante River, Utah
A dense thicket of box elder trees along the Escalante River, Utah

Box Elder Thicket, Fall. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dense thicket of box elder trees along the Escalante River, Utah

Down in the canyons around the Escalante River the terrain varies a great deal. In some areas you might be walking more or less in the stream, perhaps wading up the center of the stream, crossing back and forth across it, rock hopping, and occasionally slogging through very wet sand and mud. In other areas, you might walk through groves of cottonwood or box elder trees of various sizes. Elsewhere you might leave the stream itself and find your way though brush or over and around rocks or slick rock. Sometimes there is abundant vegetation, and in other places you are in a world composed almost entirely of rock.

The river almost continuously twists back and forth and wind around one horseshoe bend after another. These bends seem to me to be important places of transition. On one side you might walk in direct sunlight and be warm. As you pass through the apex of the bend, if you were in the sun you are now likely to pass into shade and the canyon may narrow, perhaps forcing you to cross back and forth across the stream. I found this small clump of box elder trees in such a place. They were quite small – I imagine as a result of growing in an area that could be flooded from time to time – and they grew together densely. It is a challenge to try to make some sort of coherent composition out of such dense and intertwined growth. The interesting side light, reflected from another canyon wall, gave a bit of relief to the thin trunks of the trees, and there are a multitude of relationships to be found among their forms – they are mirror images of one another, or they twist almost in parallel – and in the background is such dense detail that even a very close look at a print shows that there is hardly a place where subjects beyond the trees are visible.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Golden Hour Fly-Out

Ross's Geese, Golden Hour Fly-Out
Ross’s Geese, Golden Hour Fly-Out

Ross’s Geese, Golden Hour Fly-Out. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Ross’s geese take wing during the sunset fly-out, San Joaquin Valley, California

As happens often enough to make things interesting, the light at the end of this day of less-than-phenomenal light momentarily made up for some of the earlier “blah” light. It had been a good day of goose (and crane) chasing, but with few moments of sublime light so far. That’s not necessarily a bad thing, since even when the light is not at its most astonishing out here, the air and the sound of the birds still makes it worthwhile, especially when a large flock of geese suddenly lifts off in unison or when the sound of cranes floats down as they coast overhead.

But still, we want that light! Just before sunset, as the hazy sky was already starting to dim, the last sun slanted in from the west at a low angle just as this flock of geese was beginning to fly out for the night. I made this photograph just a moment after the foreground group had taken to the air, but while other groups that had lifted off earlier were still visible beyond them as they departed over the grove of trees to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.